•• Top Three ••

[Justin Marx]

14, 21 and 85 + a doubler ;-)

 

[Andrew Rieger]

18, 35, 100. That should just about do it.

 

[Manuel Wenger]

21, 35, 85mm

3 Wood, 7 iron, Putter

 

[Bryant Swanstrom]

14, 35, 135

 

[David Battistella]

Is that on Epic or Red1?

I'd say on both, but I want the 100mm to be a macro and to be far enough away from the actors on close ups to let them do their work in private.

David

 

[David Battistella]

21, 35, 85mm

3 Wood, 7 iron, Putter

I almost said three wood but I've always been able to hit the driver clean off the fairway. Some of those par fives are fairly long to get down in two with a three wood.

David

 

[Mohamed Younis]

24, 35, 85.

 

[Ketch Rossi]

Easy answer really...

Each project you will shoot wil demand different Focal, depending on Story told... If I was to only have 3 no matter what, not knowing the Story or material to shoot...

Easy... Widest... Longest... And a Middle Focal...

 

[Perry Wilson]

well since Im rocking the GH2 these days, Mine are all LOMO and 28, 35, 50 so that actually 56,70,100 I like long glass whenever possible 3wood, 7 iron, 9 iron

 

[Pietro Impagliazzo]

18, 35, 85

18, 35, 85 as well.

 

[Abraham Williams]

18, 35, 75 would be my first choice. That or 18, 35, 50. Can't decide

 

[Ramesh Jai]

25, 50, 85