Antoine Baumann
Well-known member
i had the chance to shoot with Dragon with old OLPF, or is it actually unluncky, because old OLPF noise compare to new OLPF is really hurting.
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i had the chance to shoot with Dragon with old OLPF, or is it actually unluncky, because old OLPF noise compare to new OLPF is really hurting.
I've got my Dragon and I'm never looking back...
/RANT ON... Everyone needs to realize that, back in the film days, you would need to test a new film stock under a variety of conditions and learn its behaviour... Why does this not apply to digital imagers? EVERY camera sensor is like a film stock -- even within a single manufacturer -- you need to LEARN each sensor you're shooting with. It's really that simple. All of the whining that the Dragon doesn't behave like an MX... well it's NOT an MX... It's a different beast and has its own characteristics.
I NEVER go into a production with a new camera blindly. Hell, I never go into a new FIRMWARE blindly. These boards are part of my daily routine of keeping abreadst of where each camera is evolving into. I don't always have time to share my personal methodologies and sometimes when I do, they seem to fall on deaf ears, so I'm fine with keeping them to myself as well.
I see a lot of keyboard warriors out there bitching about image specifications and not a lot of bonafide production useage being created by these malcontents. Honesty people, get out there and create. Actually DO something, even if its on spec with no money. I respect that. Just whining and not putting your money where your mouth is is downright tedious and boring. And if there's one thing we certainly don't need MORE of in this world is whiny tedious boring bitching... If you want that, get married!
OR take my advice and impress us all by actually SHOOTING something for the love of all that is holy!
/RANT OFF....
The new noise is only temporary...they are fixing it...
I've got my Dragon and I'm never looking back...
/RANT ON... Everyone needs to realize that, back in the film days, you would need to test a new film stock under a variety of conditions and learn its behaviour... Why does this not apply to digital imagers? EVERY camera sensor is like a film stock -- even within a single manufacturer -- you need to LEARN each sensor you're shooting with. It's really that simple. All of the whining that the Dragon doesn't behave like an MX... well it's NOT an MX... It's a different beast and has its own characteristics.
I NEVER go into a production with a new camera blindly. Hell, I never go into a new FIRMWARE blindly. These boards are part of my daily routine of keeping abreadst of where each camera is evolving into. I don't always have time to share my personal methodologies and sometimes when I do, they seem to fall on deaf ears, so I'm fine with keeping them to myself as well.
I see a lot of keyboard warriors out there bitching about image specifications and not a lot of bonafide production useage being created by these malcontents. Honesty people, get out there and create. Actually DO something, even if its on spec with no money. I respect that. Just whining and not putting your money where your mouth is is downright tedious and boring. And if there's one thing we certainly don't need MORE of in this world is whiny tedious boring bitching... If you want that, get married!
OR take my advice and impress us all by actually SHOOTING something for the love of all that is holy!
/RANT OFF....
Wow, I didnt realize this would start such a thread. Im not freaking out about anything, I had seen an earlier thread that was showing issues with colored noise in shadows and I thought I read there was a firmware updating coming to fix it. Thats the only reason I was asking, Im not sure what the debate is. I rented out one of my Dragons recently and didnt hear of any issues, I myself havent had time to shoot with it.
Man, you're a tiresome bunch sometimes. The only thing I can think of is some people were forced to beat dead horses as children and simply don't know any other way. EVERYONE knows RED is working on the noise.
What is rehashing this issue, yet again, going to accomplish? What can possibly be gleaned this time around?
Given the long delays for this much hyped sensor I think its perfectly reasonable for people to want what was advertised and what they have paid for.
The old olpf didn’t have the highlight stops people were expecting.
The new olpf is noisy.
The new new calibration will not be a magic cure and might have its own issues.
There may well be a difference between perception and reality, but trying to move everyone along as though there’s nothing to see here is not going to help improve the situation.
Man, you're a tiresome bunch sometimes. The only thing I can think of is some people were forced to beat dead horses as children and simply don't know any other way. EVERYONE knows RED is working on the noise.
What is rehashing this issue, yet again, going to accomplish? What can possibly be gleaned this time around?
To paraphrase Gunleik, I don't understand why you guys are so willing to burn down the brand in order to make a point. Yes, it was a good point but it has already been made - ad nauseam.
I think what has been suggested is show some self-control and a modicum of discretion and consider keeping it to yourself at this late stage.
Instead, some of you mofos are more than happy to publicly commiserate about how unusable and unbookable your cameras are.
It seems to me that continuing to make a big stink about something you know is being worked on is a) pointless and b) going to make your camera that much harder to book even after the noise gets fixed.
It's the very definition of cutting off your nose to spite your face. We're well past the point of diminishing returns on this subject.
Just leave it alone until the fix gets here. It's not censorship when it's been said 100 times before you.
Guy just wanted an update. Seems fair to me.
People acting like this isn't a big deal must be pretty insulated from the industry because from what I'm hearing this is doing some noticeable damage to Red's reputation. It's a pretty critical time right now for Red with the Dragon release and every day this problem persists means more lost jobs and more producers and DPs hear about the problem and become even more convinced that Red makes cameras you can't rely on.
I personally have lost at least one job that I know of because of this issue.
There may well be a difference between perception and reality, but trying to move everyone along as though there’s nothing to see here is not going to help improve the situation.