Elsie N
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I get it Elsie, i get it. You don't get it..... because you cannot allow yourself to think of a production with 20+ cameras over the course of 2/3 continents shooting for the best part of a year and sourcing cameras from all over the world. With any camera other than the Dragon the optical path will be the same. So if you ask for an Alexa, F55 etc etc etc you get one, even the 16:9 crop of the Alexa 4:3 is a perfect match for the 16:9 Alexa. With Dragon you have Dragon 1.0 and Dragon 1.1, so far, and the only way to tell which is which is to look at the OLPF.
Not a good way to endear yourself to producers or AC's
Alright, I get your point.
But I think you are referencing maybe .001 percent of Dragon usage while maybe 90 percent of Dragons will end up being one or two camera operations that only need that amount of cameras to fill the needs of a shoot. And even the scenario you describe will probably be more affected by the camera operators, differing lens choices, lighting, etc. etc. etc.
But yes, I do understand why you would want the cameras on the same OLPF setup. I think Jarred was being a little facetious when he told Eric he could have the old OLPF back if that's what he wanted.
Of course, since Eric had lobbied for a change, he was pretty sure he wouldn't want to regress. But having made the statement, when others asked if this was possible, he was kinda stuck. At least that's my take on it.
I personally think when the new complaint is addressed, he should rescind that statement about changing the OLPF back to the older version.