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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

New Nissan Maxima on the Red

good explanation on the post workflow. but anyone here know the lens information. what was it shoot on? Zeiss,cooke?
 
This is the work of Orange County's very own local hero Rich Schaefer ;-)

Nice work, buddy.

Maybe he will chime in and gives us some insight to this shoot?

99
 
I have used the photo bubbles few times and getting one for the new studio, they are great, and I'm sure shooting the RED in it had been a blust, but the all commercial shoot was fantastic, especially because as I see it, I believe the RED camera and workflow were more the center of attention then the car it self!

Thanks for posting!

ciao
 
awesome and very nice BTS
 
That's impossible. Haven't you guys heard, there is no Red workflow. And they were claiming they were doing post on set. Ha. :-)

Sorry guys, couldn't resist. I've been hearing a lot of the "Red workflow is not worth it" comments, so seeing this behind the scenes piece was fun. Are there still kinks in the workflow? Sure. Is it bound to get a lot smoother in the next few months? Absolutely. But the reality is, there's workflow being used right now and Red is a very viable tool, even with some of its temporary shortcomings.
 
it's a slick spot but it does have a bit of a spec spot feel...don't know what it is about it. I think its the fact it does not have a really clear style and or concept, just pretty visuals. Is it spec? or was it for an agency?
 
Andreas Fernbrant said:
Is the rolling shutter issues an artistic choice?
(I'm not sarcastic)
Click to expand...

My guess is that they just chose to live with it since I don't think that there's really choice to be made, in that there's not much that you can do to change the skew given the specific shots/conditions. If you pan quickly or track past vertical objects moving that fast, it's going to happen. I guess that you can choose to exclude those shots. Or mount the camera sideways.

But, I'm only guessing. I wasn't there.
 
I'm no vfx/camera king but if they really needed those shots, why not shoot them at a slower speed (car not driving that fast) and speed it up in post.

If done right you would get the same results but without the scew me thinks...
 
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