Nick Morrison
Well-known member
- Joined
- Nov 9, 2011
- Messages
- 9,141
- Reaction score
- 50
- Points
- 48
- Location
- Brooklyn
- Website
- www.smallgiant.tv
Here's a super interesting project. Very modest budget (I won't say favor, but almost) and a lightning fast turnaround. Shoot was on a Monday, and edit had to be completed by Tuesday.
Original plan was to film Barbet on a black stage and keep it simple, but client and I decided to me ambitious and try some IN-CAMERA effects (something I'm a huge fan of...I'm hugely inspired by Janusz Kaminski...and his masterful use of in-camera filtration).
I always bring a big box of filters on every shoot (like a box of toys), and my young crew and I went to work. What was going to make Barbet look great? What could we do, quickly? We had about 2hrs to figure this shit out. Solution became this:
1) Use a streak filter (#3) to streak a number of lights we placed OFF CAMERA. This allowed the streaks to bleed into frame in an interesting way.
2) The streaks were way too JJ Abrams and sharp, and needed to be diffused. We ended up BLOOMING them with some Black Pro Mist (#1).
3) We wanted Barbet to look good and luxurious, and decided to use some Classic Soft as well. I think we overdid it by going with a #1. On Caucasian skin I usually don't go over a 1/2. Lesson learned.
Here's the final spot:
Client: Lifetime
Director/Producer: Nick Morrison
DP: Ted King
Colorist: Jake Blackstone
Camera: Scarlets
Lenses: Contax 35 1.4 & 85 1.4. Hasselblad 110.
Reduser's own Jake Blackstone did a GREAT job on this grade (this is my own director grade; what aired is similar to this...cut directly from the one lights we delivered).
Versions of this spot have been airing the past 4 weeks. Barbet read a number of lines and they'e been cycling through them all month.
Enjoy.
PS - Vimeo is fucking up the blacks on this spot. What airs is clean.
Original plan was to film Barbet on a black stage and keep it simple, but client and I decided to me ambitious and try some IN-CAMERA effects (something I'm a huge fan of...I'm hugely inspired by Janusz Kaminski...and his masterful use of in-camera filtration).
I always bring a big box of filters on every shoot (like a box of toys), and my young crew and I went to work. What was going to make Barbet look great? What could we do, quickly? We had about 2hrs to figure this shit out. Solution became this:
1) Use a streak filter (#3) to streak a number of lights we placed OFF CAMERA. This allowed the streaks to bleed into frame in an interesting way.
2) The streaks were way too JJ Abrams and sharp, and needed to be diffused. We ended up BLOOMING them with some Black Pro Mist (#1).
3) We wanted Barbet to look good and luxurious, and decided to use some Classic Soft as well. I think we overdid it by going with a #1. On Caucasian skin I usually don't go over a 1/2. Lesson learned.
Here's the final spot:
Client: Lifetime
Director/Producer: Nick Morrison
DP: Ted King
Colorist: Jake Blackstone
Camera: Scarlets
Lenses: Contax 35 1.4 & 85 1.4. Hasselblad 110.
Reduser's own Jake Blackstone did a GREAT job on this grade (this is my own director grade; what aired is similar to this...cut directly from the one lights we delivered).
Versions of this spot have been airing the past 4 weeks. Barbet read a number of lines and they'e been cycling through them all month.
Enjoy.
PS - Vimeo is fucking up the blacks on this spot. What airs is clean.