nacamera
Well-known member
- Joined
- Apr 18, 2007
- Messages
- 294
- Reaction score
- 0
- Points
- 16
- Age
- 64
- Location
- Milwaukee, WI
- Website
- www.nacamera.com
I had heard a story of this happening from a client a few months ago and it sent shivers down my spine. Now it seems to have happened to one of my cameras.
I had a client with a respectable amount of Red experience shoot a pretty standard 320 ISO, 24 FPS, 180 degree, 4k shoot. He used False Color and metering to set exposure. The data tech looked at the proxies in passing while he was transferring footage on set. They looked "OK". Almost 2 weeks after the shoot, the footage is now being opened up at the edit house for the first time, in RedAlert and the footage is 4-5 stops under exposed! I haven't seen the footage yet, nor have I spent any real time in the post-workflow side of the Red. I'm just looking for ideas, and to see if anyone out there has any ideas on how this could happen. My first though of course, is that something is messed up with RedAlert, but so far the story is that everything is set up correctly.
Any thoughts are greatly appreciated!
I had a client with a respectable amount of Red experience shoot a pretty standard 320 ISO, 24 FPS, 180 degree, 4k shoot. He used False Color and metering to set exposure. The data tech looked at the proxies in passing while he was transferring footage on set. They looked "OK". Almost 2 weeks after the shoot, the footage is now being opened up at the edit house for the first time, in RedAlert and the footage is 4-5 stops under exposed! I haven't seen the footage yet, nor have I spent any real time in the post-workflow side of the Red. I'm just looking for ideas, and to see if anyone out there has any ideas on how this could happen. My first though of course, is that something is messed up with RedAlert, but so far the story is that everything is set up correctly.
Any thoughts are greatly appreciated!