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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

L'Oréal PARIS COLOR RICHE by Bruno Aveillan

Jarred Land

Jarred Land

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Great commercial shot by Bruno Aveillan and Frank Leclerc on Dragon for L'Oréal .

thanks Samuel @ RVZ

 
Fantastic work - now if we could all just convince our clients to upload files to Youtube that aren't so compressed... Something I struggle with, and apparently these guys did as well.
 
The richness of the nonochromatic color pallets is remarkable. In all the colors. The fact that Dragon delivers it is a testament to Red's work.
 
Glen Powell said:
Fantastic work - now if we could all just convince our clients to upload files to Youtube that aren't so compressed... Something I struggle with, and apparently these guys did as well.
Click to expand...
Glen, I have found that uploading a DNxHD115 or ProResLT to Youtube has worked really well and in some ways makes editor's life easy. And from what I understand that's what Youtube will use if they change their encoding schemes. So they'll pull from a high quality source instead of heavily compressed one.
 
Extremely good. Superb imagery and edit, great music choice.
 
I have to applaud the camera choice. As I was watching this spot, I was thinking, that I couldn't imagine this spot being shot on anything else, but Dragon. It was just dripping with clarity, resolution and tension. Yes, resolution:)
I just hope, that more filmmakers will start choosing the camera image based on it's inherent characteristic, like it was done in the past with film stock.
Kodak, Fuji, Agfa... Red, ARRI, SONY...
 
Steve Sherrick said:
Glen, I have found that uploading a DNxHD115 or ProResLT to Youtube has worked really well and in some ways makes editor's life easy. And from what I understand that's what Youtube will use if they change their encoding schemes. So they'll pull from a high quality source instead of heavily compressed one.
Click to expand...

I know what works, and recommend it to the client... But the client usually chooses the smallest file for some reason.

For my own work where I can control the upload, Pro ResLt or better all the time.
 
Ooooh, pretty. :)
 
Production design, lighting, color correction, and of course... camera choice - all top notch. Extremely well done.
 
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