KOMODO....

[Christoffer Glans]

Really glad that people start making support designs for the Canon 0.71 focal reducer.

 

[rand thompson]

Thomas, Vance and Christoffer


I think more third-party companies will come up with their own solutions for both identified and still yet unidentified needs for the Red Komodo.

 

[rand thompson]

RED KOMODO Cinematic footage



By ANDBERY

"In this video we will test RED Komodo 6k camera. Also, In this scene we are trying to make cinematic lighting setups with help ACE 650 and ARRI 1200 HMI light sources.
RED Komodo is very compact and light camera, it has impressive dynamic range, but is the one problem...it is a noise with dark key light set."

 

[rand thompson]

CANON 0.71x Speedbooster Review // on the RED KOMODO



By Paule Porter DP

 

[Alain M]

Very Cool

 

[rand thompson]

Meet the Yogaventures Fam: Off The Mat!


By
Yogaventures

Shot on RED komodo and A7Siii for the underwater shots.

 

[Christoffer Glans]

RED KOMODO Cinematic footage



By ANDBERY

"In this video we will test RED Komodo 6k camera. Also, In this scene we are trying to make cinematic lighting setups with help ACE 650 and ARRI 1200 HMI light sources.
RED Komodo is very compact and light camera, it has impressive dynamic range, but is the one problem...it is a noise with dark key light set."

Why did they do a half res premium debayer? Makes no sense when everything else is very detailed for a camera test.

 

[rand thompson]

Christoffer,

I thought the same thing. Maybe it had something to do with the capabilities of his computer. Or maybe he thought that by not debating in Full Res. Premium that he could negate some of the noise he talks about from the Raw file with a lower Debayer setting. Maybe he was simply unaware of the quality different from using Full Res. Premium and just used the setting that played back the R3D file the smoothest on his machine. Who knows really what he was thinking.

 

[rand thompson]

RO BERGMAN - ANIMAL (official)


I wasn't expecting the dancing, Ha Ha

By Ro Bergman

Red Komodo

 

[Alex Stolpakov]

Christoffer,

I thought the same thing. Maybe it had something to do with the capabilities of his computer. Or maybe he thought that by not debating in Full Res. Premium that he could negate some of the noise he talks about from the Raw file with a lower Debayer setting. Maybe he was simply unaware of the quality different from using Full Res. Premium and just used the setting that played back the R3D file the smoothest on his machine. Who knows really what he was thinking.

Also interesting having his fellow student as a focus puller which Fstop they had on this dark frame.

 

[rand thompson]

Also interesting having his fellow student as a focus puller which Fstop they had on this dark frame.

Alex,

Maybe you could inquire for us?:thumbsup:

 

[rand thompson]

Red_Komodo_35SummiluxAA_Test


By yale Goodman

I removed some of the Magenta cast from a few of the scenes above

 

[rand thompson]

Zen & Chris


By Jason Chua

Shot on RED Komodo 6K Cinema Camera with DZO Pictor Zooms

 

[rand thompson]

Two’s a Crowd (Draft)


By RT Productions

Shot on Red Komodo 6K & Mavic Mini.

 

[Alex Stolpakov]

Alex,

Maybe you could inquire for us?:thumbsup:

Being there, usually it goes like that: Lets make one more take, Okey another one, Ok the last one. F.ck it lets close the aperture, its a good camera we will deal with it in post.:toetap05:

 

[rand thompson]

Being there, usually it goes like that: Lets make one more take, Okey another one, Ok the last one. F.ck it lets close the aperture, its a good camera we will deal with it in post.:toetap05:

Alex,

That sounds like most of us at some time or another. I think, like Christoffer mention in a previous comment, if the full Res Premium debayer setting had been used along with exposing for 800 ISO and Black Shading when appropriate he probably would have experience less noise in his image. However, us "second-guessing" someone else's results is always easy.

 

[rand thompson]

RED Komodo // Gimbal Snow Focus Test w/ Fool Control App


By Daniel Peters

 

[rand thompson]

Short Film ”Afterglow of Stargate” | Red Komodo 6K Leica M Summicron 28mm


By
Shoichi Nakamura

RED KOMODO ＋ Leica M Summicron 28mm/f2.0 ASPH _ Handheld＆Peak Design Tripod

 

[Christopher A. Bell]

RO BERGMAN - ANIMAL (official)


I wasn't expecting the dancing, Ha Ha

By Ro Bergman

Red Komodo

Bad song and dancing aside, the image looked really good. Continues to show how much the grade plays a roll in and how important it is to the final look and feel of the footage.

 

[rand thompson]

Christopher,


I think it was the grade and maybe, from the look of the foreground and background compression of some shots, more standard to telephoto lenses being used. Everyone and their baby brother seems to be shooting with all wide angle lenses with the Komodo, especially the Sigma 18-35mm lens.

I think with the pairing of more standard angled lenses with the Komodo and with better grading we will see more cinematic imagery from the Komodo. No more cropping of images from wide angled lenses if possible.