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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Iso 8000...

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Interesting, very interesting indeed!
 
All right Jim, you win. From what I see I would consider ASA 4000 more than "Useable".
 
ChrisForbes said:
I suspect there is more to be had in that image. Just from a little tinkering.


8000iso.jpg




The blacks maybe a tad crushed. But I think there is a happy medium in there somewhere.
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Nice work there Chris. I think that Sony and Thomson will require a 'Happy Medium' to hold a special seance for them, to tell them all about the future. Picture it -

Dude in a smock at Sony HQ: - ' I've see something..'

Sony Dudes: 'Yes..'

Dude in a smock at Sony HQ: 'The Future..'

Sony Dudes:(going mental) 'YES!!!!..'

Dude in a smock at Sony HQ: 'It's Red!..' :)
 
Hello,

Fantastic. I shoot a lot of stuff at very low light levels and high ISO's with my Canon EOS 1ds and this is just amazing.

Can't wait!

ATF
 
Häakon said:
Haha, bye bye just about everything! Good grief.

I know that posting a "less than pristine" image for the entire world to scrutinize is difficult, but knowing that this is ISO8000 is unreal. A 4K image would be nice (I'm not trying to be picky, but downrezzing that much inevitably reduces noise), but regardless, it's obvious how amazing that is. Couple it with the fact that a lot of people will probably be finishing to DVD or (eventually) Blu-ray as it is, and that's a similar kind of "real world" result one may be able to expect. What this really says to me is how clean the imager must now be if exposed properly! And they said it wasn't a revolution... :bleh:


I hear that. When are those RED primes gonna be available again??
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This rocks. Team the Red system with tools like Dedo's, Lowels and Lite-Panels (and the odd 1 & 2 K HMI), decent matte-box, FF (please Curt :) )and then add cool colour correction tools like Stu Maschwitz' Colorista along with the new Magic Bullet looks on a new shiny Mac Pro and add talent.. you will have a force to be reckoned with. Color will also be a contender if Apple can fix it and smooth out the GUI.
 
Consider that just over a year ago, in discussions at dvxuser (prior to the launch of reduser), the consensus seemed to be that usable but noisy images at iso 800 were about the best we could hope for.
 
Bloody WOW!
I can die happy now

Oh wait, I'll wait to get my 1333# in my hands first :)
 
adaml said:
Consider that just over a year ago, in discussions at dvxuser (prior to the launch of reduser), the consensus seemed to be that usable but noisy images at iso 800 were about the best we could hope for.
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That seems like a lifetime ago now :biggrin:
 
This is so cool.

I think for one test during Gibby's LART event, we need to strap a camera on a car and drive around at night.
 


Click on the link to go to 100%. I think the image speaks for itself.

I made the assumption that what we're looking at is a scale from 4K REDCODE RAW. If this is incorrect, I'll edit it immediately.
 
:blink: A dream comes true! Amazing! :w00t:
 
Yes, it was 4k REDCODE RAW, to a compact flash card. I wouldn't have believed it if I hadn't seen it myself.

Graeme
 
Brook Willard said:


Click on the link to go to 100%. I think the image speaks for itself.

I made the assumption that what we're looking at is a scale from 4K REDCODE RAW. If this is incorrect, I'll edit it immediately.
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That rocks Brook!
 
Graeme Nattress said:
Yes, it was 4k REDCODE RAW, to a compact flash card. I wouldn't have believed it if I hadn't seen it myself.

Graeme
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Graeme, Jim, everyone at RED: this is -really- amazing.
This quality at ASA8000 indeed gives filmmakers and directors new tools für new stories.

I, personally, always have been deeply impressed by the candlelight scenes of Kubricks Barry Lyndon. I at once had to imagine how they would look shot with red.

Sidenote: We at once pipelined the image through our asa500 35mm grainremoval process. the result is more than convincing.

For any kind of night/dark shot it seems that any other medium or camera for motion picture production is inferior to red.
 
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