Iso 6000 - mx straight outta da box

[Wesley Scoggins]

Film doesn't have a global shutter either. That's the whole thing, the flashes will look almost identical between the new red and using a normal film camera.

 

[David Mutchler]

Name of song & band please.

 

[Rick Burnett]

Not necessarily. With a film shutter, since it's a hard edge moving down across the film, it's going to cause a different effect than what happens on a digital sensor. It's a hard line on digital between 2 rows.

 

[Nikolai Pigarev]

Really Impressive

 

[Sami S]

This was amazing, really loved it!

 

[Peter Plevritis]

That was really, really exceptional!

 

[Ido Karilla]

WOW mind blowing. Thanks.

 

[Jannard]

Not necessarily. With a film shutter, since it's a hard edge moving down across the film, it's going to cause a different effect than what happens on a digital sensor. It's a hard line on digital between 2 rows.

Not correct. Unless you have sync, film cameras do exactly the same thing.

Jim

 

[keith morton]

NICE!!!!!

 

[Patrick Tresch]

Originally Posted by Rick Burnett
Not necessarily. With a film shutter, since it's a hard edge moving down across the film, it's going to cause a different effect than what happens on a digital sensor. It's a hard line on digital between 2 rows.

Not correct. Unless you have sync, film cameras do exactly the same thing.

Jim

How that? Have a hard line between 2 rows of pixels?

Mechanical shutter has an other effect, on film and/or on digital.

Pat

 

[conrad gaunt]

Cool footage!

I am not sure i would have rented my RED1 to that shoot if i knew that all those lasers would fire in all directions!! :-D

are lasers bad for sensors?

I guess they could be.. must get up to date on current laser technology.. can we shoot people with them yet?

 

[Rick Burnett]

Not correct. Unless you have sync, film cameras do exactly the same thing.

Jim

Film cameras do indeed have a line in them where the flash stopped during the mechanical shutter movement, I'm not saying that is not the same. The difference is that the edge of that line is not going to be as sharp on the film as compared to the digital sensor. The light passing by that edge is going to have and a slight softness to it. I've seen this before.

Now given the EXTREMELY fast read/reset of the RED camera, thinking about this more, this might not be so much the case now. Depending on the rise time of the flash output, the edge of that flash will be less sharp now on the RED as the flash fades between line reads. So in fact, while a different phenomenon, it could look VERY VERY similar (and more pleasing).

 

[J. P. Sendall]

Zak, hats off to you man. But apart from the technical side which I can't guess how easy or difficult it was (I don't own a Red) for me it's the feeling it gives me and that takes a certain...what? I don't know. Feels like something Spike Jonze would have done on one of his "I can't give a f''k what we do today but let's shoot something interesting and fun" kind of mood.

 

[J. P. Sendall]

Just checked out a couple of other Zaks work at the same website, Doctor Who and Brainwaves being my favourites. Good stuff, like it a lot.

 

[Kevin Lang]

Name of song & band please.

It is The Black Keys "Tighten up"

Zak awesome job! I love this kind of work! I recently did a job with a Australian DP she did alot this style of work!

Keep it up!