How to convince a Producer to use RED

[Antonio Forjaz]

Thank you very much Paul, I will try my best to convince him, and give him Oliver's contact.
Thanks you very much again

 

[Antonio Forjaz]

Thanks Ido, I will forward him your details.

 

[Stephen Williams]

If he wants to try us here in Israel he is welcome. 2 feature films behind us, all red,we print in a kodak lab in greece and the results are amazingly good. in terms of budget the savings compare to 35mm are enormous.

Hi,

I shot 33,000' of 35mm on a commercial in Greece last year, that lab is VERY VERY GOOD, far better than I am used to.

Stephen

 

[martinnoweck]

there was a guy from portugal on this board who also owned a post facility ... not sure what his name is ... emanuel?

maybe some one can chime in for the contact details.

best wishes,
martin

 

[Emanuel A.]

Nuno Rocha, young portuguese moviemaker, shot a short with a smooth experience as far as the 35mm film-out process is concerned. You can contact him here. He's reduser.net member.

Shot on 4K RED ONE S35mm sensor size.

2K (Workflow).

Exhibition's print, 35mm film. Kodak, I believe.
(lab) Tobis [ LINK ] in Lisbon.

It went fine, especially 4K IMO. Nevertheless, on the big screen, I felt some gap between the use of distinct 4K and 2K footage into the same scene. So, I wouldn't recommend its abuse or even its choice in the same scene unless if strictly motivated from the script.

 

[Emanuel A.]

António,

Mensagem enviada.
PM sent.

Abraço,
Emanuel