Matt Moses
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- Sep 12, 2007
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The cream of the crop in 35mm DOF adapters seems to be the Letus Ultimate. RED has always held out the carrot on the stick by offering super high quality cinema solutions for unheard of pricing.
So I ask,
With Scarlet (Body Only) entry level 2/3" cam, I would think many would want to throw a DOF adapter on that.. so will RED make one?
A super high quality, straight barrel (no prism flip), spinning ground glasss DOF adpater, with Backfocus adjustment and Uni-mount adapter rings for ANY lens.... at .. well... Half the price of Letus? (In the RED tradition)
And add a switch on the Scarlet that flips the menus and LCD output so no image flipping is necessary in the Adapter (ie less light loss).
because here is the deal.... These new DSLR's are getting full frame sensor 1080/24p real soon.. so the only thing left is the aquisition format (H264? blows ) .. so RAW and the company support is what you are paying for, and its hard to tell if that is worth it.... when one is not making their sole living as a DP. (And if they were, they would be using something better)
So it would be nice to see barebones RED stuff.. that still kicks butt... but the idea that you can get into a RED that will do even more for say another $2k adapter.
My thoughts are that the DLSR market cannot change the aquisition format to RAW or the market would kinda fold up on itself... you would have a truly cinema capable product for $3k.
So I ask,
With Scarlet (Body Only) entry level 2/3" cam, I would think many would want to throw a DOF adapter on that.. so will RED make one?
A super high quality, straight barrel (no prism flip), spinning ground glasss DOF adpater, with Backfocus adjustment and Uni-mount adapter rings for ANY lens.... at .. well... Half the price of Letus? (In the RED tradition)
And add a switch on the Scarlet that flips the menus and LCD output so no image flipping is necessary in the Adapter (ie less light loss).
because here is the deal.... These new DSLR's are getting full frame sensor 1080/24p real soon.. so the only thing left is the aquisition format (H264? blows ) .. so RAW and the company support is what you are paying for, and its hard to tell if that is worth it.... when one is not making their sole living as a DP. (And if they were, they would be using something better)
So it would be nice to see barebones RED stuff.. that still kicks butt... but the idea that you can get into a RED that will do even more for say another $2k adapter.
My thoughts are that the DLSR market cannot change the aquisition format to RAW or the market would kinda fold up on itself... you would have a truly cinema capable product for $3k.