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The Helium grain looks soo different to my eye.
Raven dark noise grain seems to dip into dark stops for longer. Helium seems to bounce-back to to higher brightness pixels sooner.
I wonder if VV8k oversampled to 4K would level up the playing field vs Helium 8k oversampled to 4K?
Incredible pics btw Peter. Thankyou for sharing (and hoping JL lends you a VV!)
AJ
Pater Majtan said:The devil is in the details and details is where the Helium really shines. For the above comparison we have simply down-sized the 8K source to 4K and 2K respectively
Is it too greedy to say I dream of a 16K VV Helium sensor![]()
Peter, love the work! Really like the way you had done the sample (presentation) with HD, 4K and 8K zoomed in. Which scaler did you use?
Also, any BTS on how you shot some of the macro? Most curious on H018.
Helium at 16K would be much larger then VV - at VV size Helium would be 11K (11222 px). Having said that - and based on what I have personally seen Helium footage looks like when down-scaled - an 11K VV Helium would make for an absolutely stunning 8K master footage. And before people say going beyond 8K is nuts - please remember that back in the days before DSMC1 came out - Jim hinted at this...:
:reddevil: Peter
Thank you Peter, that is exactly what I was curious about with the BTS question. I guess you did not power up the camera near them as the fan, at startup, might have riled them up.Peter Matjan said:To say that we were too close for comfort is an understatement.
The cost / upgrade price has not been announced yet. October is the launch, which is probably when all will be revealed. Only thing we know is that those that have already paid for the 8K VV upgrade will get the Helium at no charge, while they continue to wait for the VV upgrade.Andrew Baik said:Anyone know how much the upgrade to the Helium Sensor from Forged Carbon will be?
Spent the day at Niagara Falls shooting some frame extension tests in prep for a big upcoming shoot. I'm amazed at everything about this camera. Straight out of the camera it looks amazing. Noise is so minimal.
Helium 8K with Canon 14mm/F2.8
Pretty impressive looking, even on my run-of-the-mill home TV display. Can only imagine what this would look like on a giant screen.
Also, pretty amazed at the detail in the shadows in the Ripley's shot. Have you tried different OLPFs and are you seeing an advantage of changing them?