has anyone shot live broadcast on red?

[Ibrahim Abdulkarim]

We're planning to do so next week. just wondering if this has been done before

We're shooting a swimsuit runway fashion show in the daytime on a Hollywood rooftop and all in attendances will be dressed in white. So we're shooting with epic rather than ENG camera for better dynamic range

 

[Marc Wielage]

I think this is unwise. My opinion is that you're much better off renting 1080 HD cameras designed specifically for live shooting, particularly those with external CCUs so that all the cameras can be adjusted in one place by a video operator. Otherwise, they're never going to precisely match during the live show.

HD cameras will also not overheat over long periods of time. I know of webcasts that routinely leave their cameras on 24/7 and never have a problem.

I think the Red cameras can make great pictures in good hands, but they're more appropriate for certain projects than others.

 

[Lauri Kettunen]

I've shot live broadcast with Epic. Haven't met any problems, but needed an external converter to convert the 25fps 1080p signal to 1080i.
To balance the colors of Epic with other cameras, first uploaded some frames to Redcine-X and generated a LUT and then downloaded it back.

 

[BigLu]

Sent you a pm

 

[Zak Brickett]

I've shot live surgeries for webcasts and also for events within the building, pumping the stream to multiple different rooms. We use Scarlets, they've been left on for up to 3 and half hours at a time and we've encountered no problems.

 

[Björn Benckert]

I have ha client that pretty much have had his red one on for years now, no issues...

Feed the SDI's to CCU's if need, the signal should beat most other valid options. Nice also to do slomo 100 fps instant replays from from one of the cameras as well.

 

[Vithya Sharma]

I think this is unwise. My opinion is that you're much better off renting 1080 HD cameras designed specifically for live shooting, particularly those with external CCUs so that all the cameras can be adjusted in one place by a video operator. Otherwise, they're never going to precisely match during the live show.

HD cameras will also not overheat over long periods of time. I know of webcasts that routinely leave their cameras on 24/7 and never have a problem.

I think the Red cameras can make great pictures in good hands, but they're more appropriate for certain projects than others.

Hello now I have a one Doubt/ Question..... How many Hours continues Running REDONE?

anybody knw?