Emanuel A.
cross-examiner
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- Dec 28, 2006
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Thanks Matt. Can you post anything?I have a 45mm Super Rotator in PL mount. It's cool. Gets used for Pack Shots and sometimes wacky in camera focus racks.
Best Bokeh of any lens in that range I've ever used. I think it's basically a symmetrical wwII era zeiss design with modern coating.
It's easy to make a P6 to PL mount adapter.
Looks decent WFO, very good at 5.6.
I had 2 and now Finner has one so we can see what he says when he puts it on his camera.
Matt Uhry
www.mattuhry.com
I don't see PL mounted versions available - did you get it custom built?
Some frame grabs.
All at 5.6
Swing Full Left
![]()
Swing Center
![]()
Swing Full Right
![]()
This is just the beginning of the tricks this lens can do - there is still shift
and the focal plane or shift plane can each be individually rotated.
Matt Uhry
www.mattuhry.com
Wouw,
one question to understand better, so you made an adapter RED-PL to P6, added the rot-shit lens and then added a NIKON(?) lens?
To have the possibility to shift the lens would be fantastic for stereoscopic filming.
Thanks, Istvan
THE KING OF SWING SHIFT LENS SYSTEMS IS CINEMAGIC, CLAIRMONTS WITH ZIESS OPTICS all at f2.
These things can point any direction.
Rare lens Gold, pure Gold!
If you ever stumble over a set, buy them without hesitation.
Even the cheaper Century / canon optics versions are good.
Some frame grabs.
All at 5.6
Swing Full Left
![]()
Swing Center
![]()
Swing Full Right
![]()
This is just the beginning of the tricks this lens can do - there is still shift
and the focal plane or shift plane can each be individually rotated.
Matt Uhry
www.mattuhry.com
Here's another example of what the Hartblei Super-Rotators can do:
CLICK HERE FOR A HI-RES SAMPLE
This was a test shot done with the 80mm f/2.8 Hartblei, off a Nikon D300. Take a look at the clock, then the car behind it and the tree branches in the f.g., the yellow lines on the street below, etc.
How's that for selective focus and twisted perspectives?
:w00t: