Ryan Chernin
Well-known member
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- Oct 14, 2020
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I much prefer the look of Komodo to the BMPCC6K, but Blackmagic implementing their cameras' gyro data in Resolve for stabilization is a game changer. I'm bringing it up in this thread because there's been talk in the past of Komodo containing a gyro sensor. Those BM cameras are already so well designed for handheld work, shaky footage aside (same with Komodo). So I bet this will sway a few more people toward the BMPCC6K.
When I say game changer, I'm ignoring Sony Catalyst of course. It's the direct Resolve integration that excites me the most. I'm definitely going to borrow a friend's BMPCC6K to test this out as soon as they update Resolve to support it.
*All of this being said, Komodo and BMPCC6K remain vastly different cameras in my mind. Beyond their individual looks/IQ/all of that, the poor rolling shutter performance of the BMPCC6K (comparable to a global shutter) means I probably wouldn't consider them for the same exact types of gigs. Not to mention the cost disparity puts them in somewhat different categories. Still, I see a lot of people weighing each option as a "first real cinema camera" so that alone I think justifies the juxtaposition.
Also, RED, if possible, please...!
When I say game changer, I'm ignoring Sony Catalyst of course. It's the direct Resolve integration that excites me the most. I'm definitely going to borrow a friend's BMPCC6K to test this out as soon as they update Resolve to support it.
*All of this being said, Komodo and BMPCC6K remain vastly different cameras in my mind. Beyond their individual looks/IQ/all of that, the poor rolling shutter performance of the BMPCC6K (comparable to a global shutter) means I probably wouldn't consider them for the same exact types of gigs. Not to mention the cost disparity puts them in somewhat different categories. Still, I see a lot of people weighing each option as a "first real cinema camera" so that alone I think justifies the juxtaposition.
Also, RED, if possible, please...!
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