M. Gallagher
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So after some research, I've realized that getting my FCP edit into After Effects using Automatic Duck will be the easiest way to output a DPX sequence to send to the color corrector. Problem is, the comp that is created in AE is quite daunting.
I have an FCP edit that has been imported into AE with mixed resolutions including 1280x720 dvcpro movies, and 2k and 4k resolutions. I'd like to know the best way to get all of these into AE so I can output to 1920x1080 DPX sequences for the color corrector. I've noticed reading some other threads that I'll have to do some trickery within AE to to get the color right and what not and I'm hoping this is outlined somewhere so I can eliminate some of the guesswork. Any help you guys could give on this particular workflow would be great. Thanks so much.
I have an FCP edit that has been imported into AE with mixed resolutions including 1280x720 dvcpro movies, and 2k and 4k resolutions. I'd like to know the best way to get all of these into AE so I can output to 1920x1080 DPX sequences for the color corrector. I've noticed reading some other threads that I'll have to do some trickery within AE to to get the color right and what not and I'm hoping this is outlined somewhere so I can eliminate some of the guesswork. Any help you guys could give on this particular workflow would be great. Thanks so much.