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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Film Making Masterclass with Final Cut Pro X

How To Create LUTs In Final Cut Pro X


By
Subtle Cinematics


 
mTracker 3D for Apple Motion, Final Cut Pro X and mO2. Pre-order available NOW! - MotionVFX


By motionvfx

Preorder now
https://www.motionvfx.com/store,mtracker-3d-essential-bundle,p3511.html




Trailer: mTracker 3D for Apple Motion, FCPX and mO2.



By motionvfx




mTracker 3D for Apple Motion and Final Cut Pro X. Pre-order starts next week, Sept 2. Save the date.


By motionvfx


 
Last edited:
Shutterstock Workflow Extension for FCP X


By
Ripple Training


 
How to Create a Compound Clips in Final Cut Pro X


By Pixel Film Studios



 
mTracker 3D Basic Tutorial - Tracking 3D Titles in Apple Motion - MotionVFX


By
motionvfx




Topics covered in this lesson plan:

00:00 Introduction.
00:08 Using mTracker3D in Apple Motion.
00:39 Setting your Track Point.
00:50 Adding more than one Track Points.
01:01 Removing additional Track Points.
01:17 Putting 3D Group and Camera into your scene.
02:13 Adding tracked 3D text using mTracker 3D.
02:58 Lining up your tracked items.
03:26 Creating 3D text in Apple Motion.
03:39 Modifying tracked 3D text layers in Apple Motion.
05:26 Creating additional lights.
05:43 Resetting light parameters.
06:13 Adding shadows to the scene.
07:54 Using a solid as a shadow catcher layer.
08:48 Turning off the inherited light.
11:20 Finishing the scene.
 
What is Media Management in Final Cut Pro X?


By
Ripple Training


 
RippleLIVE Episode 25


By
Ripple Training




1:09 - Show Start
3:24 - FCP X Upgrade Tips
6:18 - Why H.264 for Proxy?
8:54 - Are Ripple Training’s tutorials up to date?
9:53 - Proxy Resolution & Workflow
20:14 - Why you don’t want to Consolidate Proxy Media
24:20 - Choosing the right Second Monitor for FCP X
25:45 - H.264 Proxy is not for HDR Footage
32:27 - Why are Original & Optimized Media a Combined Option?
34:18 - Importing 3D Objects to Motion
35:40 - 3D Motion Scene Demo
37:13 - Sketchfab Motion Compatible 3D Models
38:15 - USDZ Limitations
41:18 - Working with Overlays in FCP X
46:18 - Choosing the Right MacBook
47:14 - Particle Emitter Tips
52:18 - Animating the Anchor Point instead of Position
54:40 - Canon Raw not Supported (yet)
57:00 - When it’s time to Upgrade your Mac
58:05 - Tracking with 3D Models
59:25 - Nikon LUTs
1:00:28 - Ripple Training Plugins
1:00:46 - Minstaller
1:01:53 - Why do you call it a "Hamburger Menu" ?
1:02:11 - Scaling 4K Video in a 1080 Timeline
1:03:22 - Color Grading Multicam Angles
1:05:42 - BRAW is not supported in FCP X
1:07:14 - Ripple Training Plugins are Compatible with 10.4.9
1:08:18 - Tagging Movies in Export
1:12:11 - KeyFlow Pro 2
1:15:36 - Making a 3D Object Spin in Motion
1:16:17 - Learn to Love the Magnetic Timeline
1:18:18 - After Effects or Motion?
1:20:04 - Tutorial Specials
1:22:19 - Sign Off
 
ProRes Raw just got a whole lot better (thanks to a Final Cut Pro update)


By DPReview


 
mTracker 3D Tutorial - Background Replacement - MotionVFX


By
motionvfx


 
3D Tracking in Final Cut Pro X


By
Ripple Training


 
I understand you guys use Final cut pro. But does any of you use Avid pro? I was considering it.
 
Proxy Media Update Final Cut Pro X 10.4.10 Training Final Cut


By Training Final Cut Pro X


 
Ep 49 Copying Compound Clips in FCPX


By
Ripple Training


 
Stacey Spears from RED informed me earlier today that the

RED Apple Workflow Installer V17 was released a few days ago.

https://www.red.com/download/red-apple-workflow-installer

I can confirm that it does fix a bug where I could not open
R3Ds on my 2014 MBP with Nvidia 750M GPU.

I have to test more to see if it fixes other performance issues.

Brian Timmons
BRITIM/MEDIA
 
Thanks for that info Brian! I don't use Final Cut so It's good that someone who does is posting here.
 
Final Cut Pro X: Why and How to Use Proxies for Multicam Editing


By Larry Jordan


 
How to Manually White Balance Clips in Final Cut Pro X



By
Pixel Film Studios




How to Analyze a Clip for Color in Final Cut Pro X


By
Pixel Film Studios


 
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