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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Film Making Masterclass with Final Cut Pro X

New! Copy Libraries and Create Proxy Libraries in Apple Final Cut Pro


By
Larry Jordan



 
MBS: Keying a Subject on a White Background


By
Ripple Training





MBS: Create Keyboard Shortcut Graphics in FCP



By
Ripple Training


 
Editing with the Powerful Position Tool


By Ripple Training


 
Using Camera Generated Proxies in FCP


By Ripple Training


 
RippleLIVE Episode 27


By
Ripple Training




0:22​ - Introduction
3:08​ - Working with ATEM ISO files and Final Cut Pro
6:23​ - How Mono Files are "Mapped" in a Stereo Field (and what to do about it)
12:27​ - Can I snap a Connected Clip to the Timeline with a Keystroke?
13:16​ - Why should I stick with Final Cut Pro and Motion when Resolve is free?
14:47​ - What can we expect in the next version of Final Cut Pro?
16:39​ - What determines the length of video clips?
18:01​ - Why do my plugins crash in Big Sur?
18:55​ - What about plugins and M1 Macs?
20:06​ - How can I organize my Final Cut Pro effects?
21:42​ - Where can I get a "deep dive" on all Final Cut's built-in audio filters?
22:53​ - Why even use Resolve or Adobe Apps?
23:56​ - What plugins should I get?
24:40​ - How do I locate a plugin that shows up in my project offline?
26:25​ - Grading with Resolve and Final Cut with Sony a7SIII
27:22​ - Why is my Logic Pro folder empty in the Sound Sidebar?
29:32​ - Why can't I move my clips in the Angle Editor?
30:46​ - How do I perform a multicam edit with green-screen composites?
32:39​ - Can you lock tracks in the timeline?
33:43​ - What's the best way to go from 25p to 24p?
36:07​ - With ProRes RAW, is there an advantage to adjusting ISO in FCP?
40:36​ - How a Noise Gate works and why we use it
42:33​ - How do I get Zoom to record at 24 fps?
43:20​ - Why are Zoom files so HUGE when I compress them in FCP/Compressor?
47:55​ - Where to get our EXCELLENT Compressor tutorial (ON SALE NOW)
49:05​ - How do I set a ground plane in Motion for correct placement of graphics?
53:35​ - Why do my render files randomly disappear after quitting FCP?
55:21​ - Why am I getting "out of memory errors" in FCP?
56:06​ - How do I speed up my Voice Over without transients? - Use Elastic Wave!!
57:17​ - What are you favorite plugins?
57:48​ - Mark's "Warp Speed Editing in FCP" ON SALE
59:44​ - When should I work with Proxy Media?
1:01:29​ - How to I import tape-based footage in Final Cut Pro?
1:03:39​ - How do I access my backup projects in Final Cut Pro?
1:06:29​ - What's the best way to Normalize audio in Final Cut Pro?
1:10:22​ - Why won't my large FCP project open?
1:12:31​ - How to I monitor LUFS in Final Cut?
1:13:58​ - How can I animate the opacity of an object to fade in and out randomly in Motion?
1:16:41​ - Sony Fx6 and Final Cut Pro? Should I buy the camera?
1:17:27​ - Can you backup a library with only used media?
1:18:51​ - How to I move the playhead and select it at the same time?
1:20:05​ - How do I reverse text in Motion?
1:21:11​ - What do you think of the LoupeDeck Control Surface?
1:21:41​ - Should I use RAID 0 or RAID 5 configuration for editing?
1:25:14​ - What Mouse Highlight App is Mark Using?
1:27:25​ - Should I get an M1 Mac right now, or wait?
1:31:10​ - Closing Comments
 
Blend Modes Made EASY in Final Cut Pro



By Ripple Training





Working with ProRes RAW in Final Cut Pro


By Ripple Training


 
Best RED KOMODO Workflow in FCP


By Guillaume Cornet





00:00​-00:40​ - Intro
00:40​-01:11​ - RED Apple Workflow
01:11​-01:42​ - Importing the footage
01:42​-03:48​ - Checking your r3d raw settings, Color space, and Gamma
03:48​-04:31​ - Apply the RED IPP2 camera LUT
04:31​-06:00​ - Create Proxies (recommended)
06:00​-09:19​ - The right way to do any color correction (Most important thing to take away)
09:19​-10:23​ - Demo footage
10:23​-12:01​ - Conclusion
 
Pixelmator Pro Tutorial – Using LUTs to color grade video in Final Cut Pro

By Pixelmator




Using Pixelmator Pro and LUT files, you can now completely change the look and feel of video footage in Final Cut Pro as well as other apps that support LUTs. In this tutorial, we'll show you just how easy this is.


Poster's Note: This is a great development by Pixelmator that allows very easy and intuitive creation of Custom Luts.
It can also use Machine Learning to reverse engineer an existing LUT and convert it to Pixelmator's own color adjustment tools for further fine tuning.
This is probably one of the most simple yet needed features I've seen in a piece of software this year.
The video is for FCP X but should work with any software that supports LUTS.
 
Colourlab Ai: Final Cut Pro Support


By
Colourlab Ai


 
mLogo Cinematic - Spectacular Cinematic Logo Openers Exclusively for Final Cut Pro - MotionVFX


By motionvfx





mLogo Cinematic - Using the plugin to design a stunning custom logotype revealer - MotionVFX


By motionvfx


 
mLUT Plugin Tutorial - Learn how to collect, use and manage your LUTS efficiently - MotionVFX


By motionvfx


 
A Beginners Introduction to Adjustment Layers Final Cut Pro X!


By
Trending Tech


 
What's New in Final Cut Pro 10.5.3


By
Ripple Training




Chapter Links:

00:00 - Introduction
00:17 - New Text Based Search Options
01:12 - Edit Metadata Columns
01:39 - Add and Remove Properties
02:25 - Creating a New Column Set
03:11 - Search for Properties
03:36 - Edit a Column Set
03:58 - New Media Sorting Options



What's New in Compressor 4.5.3


By
Ripple Training




Chapter Links:

00:00 - Introduction
00:11 - Audio Descriptions Defined
00:48 - Export an Audio Description Role from Final Cut Pro
01:39 - Adding Audio Descriptions in Compressor
02:40 - Viewing Audio Descriptions in QuickTime Player
03:02 - Export Square or Vertical Videos
 
Been a while since this has been updated.
Thanks again for Rand starting and almost single handedly maintaining this thread.

Here's some great tutorials by YouTuber Midland Pictures regarding various aspects of Final Cut Pro.

by Midland Pictures

7 Mistakes Beginner Video Editors Make in Final Cut Pro



How I COLOR GRADE My YouTube Videos in FCP | Final Cut Pro Tutorial



How To TEXT SEARCH Your Footage in Final Cut Pro



5 ESSENTIAL Tips For Saving Hard Drive Space In Final Cut Pro



6 Tips For FINAL CUT PRO In 60 Seconds!



How I Prep My YouTube Shorts & TikToks For Editing In FCP

 
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