Here is some select clips from a feature I DP'd a few months back. Unfortunately I don't know if it will ever be released because production had been put on hold due to budget I believe...
But either way, I got some lovely footage. They wanted a more film noir style of lighting and look so thats what I did. Tried to put my own flavor in it. Great crew, gaffer put up with my ridiculous lighting requests as well. We shot A LOT in a few locations, it was SUPER heavy on art department, every single thing in frame is basically props brought in.
I shot for 2.40:1 crop in 4K
1:6 compression ratio
ISO 500
Lenses are a huge mixture from L glass to Tokina 11-16, and others
Lighting
2x Arri 650's
2x 4x4 Kinos
2x 2x4 Kinos
2x Inkys
1x Arri 1K
2x Arri 300w
and a few more I can't remember. Small tight locations meant lots of practicals used as well.
Had no problem with my scarlet other than a random heat jet blast during a super long take, and 1 error which was cleared on reboot. :001_cool:
.
But either way, I got some lovely footage. They wanted a more film noir style of lighting and look so thats what I did. Tried to put my own flavor in it. Great crew, gaffer put up with my ridiculous lighting requests as well. We shot A LOT in a few locations, it was SUPER heavy on art department, every single thing in frame is basically props brought in.
I shot for 2.40:1 crop in 4K
1:6 compression ratio
ISO 500
Lenses are a huge mixture from L glass to Tokina 11-16, and others
Lighting
2x Arri 650's
2x 4x4 Kinos
2x 2x4 Kinos
2x Inkys
1x Arri 1K
2x Arri 300w
and a few more I can't remember. Small tight locations meant lots of practicals used as well.
Had no problem with my scarlet other than a random heat jet blast during a super long take, and 1 error which was cleared on reboot. :001_cool:
.
