Dynamic what?

[Álex Montoya]

Zeiss standard 16. Nothing's clipping. Stop is 2.1, focus on her, of course.

 

[Álex Montoya]

Here's the same one taking CC a bit to the limit.
http://www.morituri.es/IMAGENES/drkz0re copy.jpg

 

[Simon Valderrama]

Awesome.
Is this in RedSpace?
If it's the case maybe inverting a little the curve on highlights you could even find some more detail in the highlights ...
Found out that as RedSpace applies a sort of slight s-curve you can discover some extra detail inverting slightly the curve on redcine ...

 

[Vico Martin]

have to remember this street to look at the girl, wow! :biggrin:

Good morning!

 

[M.Halsell]

That's hot!

 

[Álex Montoya]

Forgot to say that's build 15.

 

[Simon Valderrama]

Forgot to say that's build 15.

uh, wow!
it's perfect exposure then

 

[Rudi Herbert]

Concrete,

I love how your "to the limit" CC is barely monotone in my book, then again, I am an unabashed Technicolor boy, which is to say that is great to have so many different perspectives...BTW, on the corrected frame, there are some ripples on the actress' left leg's skin, is that a compression artifact or is it like that too on the original file?

 

[Giancarlo Bianchi]

Looks like Barcelona.

Are you in Barcelona?

 

[Tico Llaurador]

Rudi, that's from the balcony's ornamental ironworks.

 

[Clayton Harper]

Hey Concrete, is this a photoshop grade or did you do it in something else like Flame?

 

[Álex Montoya]

I love how your "to the limit" CC is barely monotone in my book, then again, I am an unabashed Technicolor boy, which is to say that is great to have so many different perspectives...BTW, on the corrected frame, there are some ripples on the actress' left leg's skin, is that a compression artifact or is it like that too on the original file?

Lol... with to the limit I meant I was pushing shadows a bit too much. One effect is the thing you see on her leg (the slightly banded noise, not the ironwork), tho' I believe that part of it is JPEG compression since I did the second grade from the from the first JPG.

And yes, thats a Photoshop grade.

I must add I am completely happy with what I get from the camera. Any improvement will be welcome but it certainly has fullfilled my expectations.

 

[LEON]

Zeiss standard 16. Nothing's clipping. Stop is 2.1, focus on her, of course.

Did you use some ND filter ?

 

[Elijah Kelley]

On

On

Beautiful Concrete. Is that the same girl from the short?

 

[Álex Montoya]

Beautiful Concrete. Is that the same girl from the short?

Yeah, she's the one from the short and the one from Abimbowé. If I recall right we used a 1,5 ND and even some obturation to keep the stop to 2,1.

 

[Clayton Farr]

Nice coincidence - I just watched 'ABIMBOWE' about an hour ago from being featured on the Vimeo front page. Nice work Alex; I was mildly pissed (read: jealous) at how you managed to make something interesting with two people, a single location, and a couple of minutes.

 

[Jaime Vallés]

Very nice. Where was this shot? Spain?

To me it looks like Old San Juan in Puerto Rico...

 

[Álex Montoya]

Nice coincidence - I just watched 'ABIMBOWE' about an hour ago from being featured on the Vimeo front page. Nice work Alex; I was mildly pissed (read: jealous) at how you managed to make something interesting with two people, a single location, and a couple of minutes.

Thanks a lot. Yeah, I was kinda surprised too.

This was shot in downtown Madrid, a barrio called Chueca.

 

[Thor Wixom]

Concrete,

Did you light this at all?

-thor

 

[Álex Montoya]

No. There wasn't time nor easy way to put up a bounce board. The "lighting" on the girl comes from a masked correction.