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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

DSLR-killer...

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again... please post any "wish lists" in the new section... thx.
 
Once we have the RED ONE, Epic, Scarlet and our DSMC released, all you will need to do is pick one (or more) and UPGRADE!

Jim
 
Once we have the RED ONE, Epic, Scarlet and our DSMC released, all you will need to do is pick one (or more) and UPGRADE!

Jim


This is the key for me... upgradeability.

I've been spending mega bucks every two years to maintain a set of DSLR's for the Mrs and I.

A Scarlet and a "Blood Red" DSMC (2 each) would rock our worlds.

Rob
 
Once we have the RED ONE, Epic, Scarlet and our DSMC released, all you will need to do is pick one (or more) and UPGRADE!

Jim

Does this mean that Scarlet will be upgradable after all? (Hopefully the sensor as well!) :D
 
Jarred, Matt, Deanan, Jon and I all think this is the coolest thing in the pipeline...

Jim
 
What is DSMC aiming towards? Scarlet has been toted by Big Jon to be the "everyday" camera, offering high quality professional cinema footage, as well as high quality still images, that is small enough to take with you everywhere. The RED ONE seems to be aimed towards the professional filmmaker that wants the resolution and interchangable lenses of 35mm film. Epic seems to be aimed towards those that need to have it all.

Where does DSMC fit into my life as a filmmaker? (Hopefully, in my pocket, or at least in a small case! :D)

When I think "DSLR", there are certain things that come to mind when dealing with the technology curve (better sensors, more resolution, wash-rinse-repeat, etc...). I have a sneaking suspension that this new camera will outperform those in the market, but also do things that are completely new and different in the DSLR world...

Exciting! :D
 
Interestingly enough, DSMC does not compete with, or interfere with, Scarlet or Epic. It just makes DSLRs look like the past.

Jim
 
The way you are talking about this makes me think that any of my mental guesses about it are going to be way off!

Is it going to use any existing glass (Canon EF, medium format, etc)?

Will it record 2K 24p or higher specs?
 
I notice alot of reference to just epic or scarlet..when comparing new products..
is the red one the middle child that no one likes anymore?

The RED ONE is the 1st child. It is the one that changed an industry. It will never be forgotten and never abandoned. It is upgradeable. It just got left off the last post because it is not a new model. RED ONE forever...

Jim
 
The way you are talking about this makes me think that any of my mental guesses about it are going to be way off!

Is it going to use any existing glass (Canon EF, medium format, etc)?

Will it record 2K 24p or higher specs?

If we answer one question... we'll need to answer more. We believe it marks the end of DSLRs. That's all we can say right now.

Jim
 
RED ONE forever

As I'm looking to hopefully put my reservation in within a week or two, this is refreshing! Excellent!

4. Love this industry. Stay up 18 hours a day working on it. Have great people around you as passionate as you are.

Exactly my sentiments!

Thanks again for all you guys are doing. Let us know if we can help! :)
 
If we answer one question... we'll need to answer more. We believe it marks the end of DSLRs. That's all we can say right now.

Jim

Not asking about the actual specs of the camera, but I am curious as to how far along you are already on it.

Do you already have a prototype? Do you already have a lot of work done on it, or are you still very much in the design stage of the camera?
 
This is extremely exciting news. As always, you are raising the bar.

My only concern is that RED keeps attention focused on perfecting the RED ONE and Workflow as soon as possible.

Rock on.
 
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