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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

DRAGON STILL FRAMES

Ken Butti

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I am loving the dragon! Bought it second hand from a guy locally here in Australia and have just spent the past few weeks getting all the accessories i need.
I wanted to test the stills side of things shooting natural light in a studio environment and see how sharp and how much detail i could get from a still frame vs a Nikon D4 DSLR.
I am very impressed so far but not every frame is sharp.. is that due to global shutter? all footage was shot at 5k 2.1 at 50fps 15:1 compression. (for some reason i wasnt able to increase compression to a more desirable 8:1
Any other tips for stills?


https://www.dropbox.com/s/w8k1b2yq1fkeeof/A001_C022_11300L_001.R3D.01_14_48_11.Still001.jpg?dl=0
 
It's most likely the compress that's leading to some softness. For stills work, going to as low a compression as you can get is valuable. If you're doing a locked-off shot (like product work) you can even engage frame averaging mode to produce absolutely noiseless stills. I've been doing this myself and the results are spectacular.

It's also worth remembering there's no sharpening in the raw files, and no default sharpening on the raw development.

Graeme
 
Shoot stills like you would shoot stills.

Short shutter (at least short enough to avoid motion blur) and low compression 8-12 fps)

And you'll see something else.

G
 
I've had great results shooting 24P @5:1 6KHD ( as 6K FF is too tall for portrait mode) then using ADD to extract stills.

This is just a simple headshot for my wife.

ZLJdyNV.jpg
 
In 5.3.x you can use the burst recording mode to capture low compression images (2:1 Dragon, 3:1 Mx) at maximum frame-rate.
 
Like a still camera mode basically?

In 5.3.x you can use the burst recording mode to capture low compression images (2:1 Dragon, 3:1 Mx) at maximum frame-rate.
 
Graeme and others—can anyone recommend an optimal starting point for sharpening? I plan to do my own testing, but since the possibilities are endless, knowing what a good base to get the sharpest images for stills would be immensely helpful.
 
That's such a hard question as so much of sharpening is taste. With Unsharp-mask I'll generally be looking in the range 0.5 through 2 for radius, and maybe 50%-100% for amount. I will sometimes use the threshold, but normally I'll leave it zero and just adjust the amount of the sharpening instead.

Graeme
 
Graeme, will there be a day where the sharpening tool is actually part of the raw metadata? I know currently, in the latest beta it affects only the monitor output (a great move if you ask me, most producers have no clue what post sharpening is) but to me having sharpening as part of the R3D would be a welcome editon.
 
Graeme, will there be a day where the sharpening tool is actually part of the raw metadata? I know currently, in the latest beta it affects only the monitor output (a great move if you ask me, most producers have no clue what post sharpening is) but to me having sharpening as part of the R3D would be a welcome editon.

I'm not sure how that is even possible. Sharpening is post processing.
 
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