Gavin Greenwalt
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With all of these questions I find it difficult to blame the camera for the skin tones I see on Netflix. There are too many other hands in the soup. I don't doubt that there is an issue with makeups out there, but to assume that we are seeing it in the final product of all of these programs casts doubt on the professional skills of a whole lot of people. Many DP's, Directors, Producers and Colorists would have to be screwing the pooch for that to happen. It doesn't seem likely to me.
Certainly there are many places for this to be introduced. One of the easiest is just through keying. A little despill gone awry and presto wonky skin-tones. There is a lot of really bad skintones in The Amazing Spiderman, particularly in Spiderman's house. That also reinforces the Tungsten theory.
I've seen it in raw footage though too. So it's certainly a color science characteristic. I'll be sure to save a r3d grab next time I see it come through my desk. I don't expect to see it often though--whenever I'm involved in pre-pro I always request to shoot daylight with RED (budget allowing) since it's so much cleaner. I've never seen it in daylight temperature lighting. So whether that's the high CRI of most daylight fixtures or color science I can't say.