Dan Passaro
Member
I was looking for some random stock RED footage to mess with and came across footage-online.de for it.
I got an email recently that I thought was pure promotion but there was this line in it:
"In addition the turning away of Apple from pro-formats such as RED-RAW gives us greater importance on Adobe"
Full email text:
Dear media professionals,
as you probably have noticed Adobe fully supports the native workflow or RED cameras up to a resolution of 5k.
In cooperation with us (FOOTAGE-ONLINE.de) Adobe demonstrates this workflow by using our RED footage
to show the great and easy features of R3D-handling in Premiere and After FX. In this process the
RED-files are edited in the timeline without transcoding and converting them. Even the direct access to the
metadata of the RED RAW files is easy to control.
Fabian Benninghoven & Thomas Pohl (CEOs of FOOTAGE ONLINE GmbH):
"Of course we`re proud that Adobe uses our Footage as part of its presentations. We ourselves have been
using the CS-Suite in our studios for many years as a main tool of our postproduction. According to this fact
the cooperation appears quite obvious for us. In addition the turning away of Apple from pro-formats such
as RED-RAW gives us greater importance on Adobe. The RED-Workflow of CS 5.5 eases the creative work
with this high-class format enormously."
For further technical information and questions concerning the content don`t hesitate to ask us.
Many greetings from Frankfurt
Your FOOTAGE-ONLINE team
I got an email recently that I thought was pure promotion but there was this line in it:
"In addition the turning away of Apple from pro-formats such as RED-RAW gives us greater importance on Adobe"
Full email text:
Dear media professionals,
as you probably have noticed Adobe fully supports the native workflow or RED cameras up to a resolution of 5k.
In cooperation with us (FOOTAGE-ONLINE.de) Adobe demonstrates this workflow by using our RED footage
to show the great and easy features of R3D-handling in Premiere and After FX. In this process the
RED-files are edited in the timeline without transcoding and converting them. Even the direct access to the
metadata of the RED RAW files is easy to control.
Fabian Benninghoven & Thomas Pohl (CEOs of FOOTAGE ONLINE GmbH):
"Of course we`re proud that Adobe uses our Footage as part of its presentations. We ourselves have been
using the CS-Suite in our studios for many years as a main tool of our postproduction. According to this fact
the cooperation appears quite obvious for us. In addition the turning away of Apple from pro-formats such
as RED-RAW gives us greater importance on Adobe. The RED-Workflow of CS 5.5 eases the creative work
with this high-class format enormously."
For further technical information and questions concerning the content don`t hesitate to ask us.
Many greetings from Frankfurt
Your FOOTAGE-ONLINE team