Jason Osterday
Well-known member
- Joined
- Jun 2, 2008
- Messages
- 773
- Reaction score
- 0
- Points
- 0
I don't seem to be seeing anyone running this workflow and thought perhaps I was doing something wrong (even though the workflow in theory and so far in practice seems to work).
1. Shoot 4K 2:1, 16:9 or HD
2. Open Clipfinder and review proxies for focus, adding comments, and take selection
3. Create new sequence in FCP with white paper settings matching M-Proxies
4. Import M-Proxies of choice
5. Edit (watching which transitions and effects are used)
6. Select "Send to Color"
7. Grade the native R3d 2K version in color (since it does not support 4K, correct?)
8. Render
9. Return to FCP with new graded sequence and finalize edit
10. Render
Color seems to be very accurate, especially with the Red Room options. -Does color actually access the native R3D?
-Are there any disadvantages to using Color other than it can't export 4K? It seems that simply doing "send to color" instantly accesses the native R3d and no relinking is necessary.
-If I am just creating a DVD, Bluray, or 1080 QT, is it suggested that I render out of Color with those resolution settings or still render the 2K out of color and bring that back into FCP for final render?
1. Shoot 4K 2:1, 16:9 or HD
2. Open Clipfinder and review proxies for focus, adding comments, and take selection
3. Create new sequence in FCP with white paper settings matching M-Proxies
4. Import M-Proxies of choice
5. Edit (watching which transitions and effects are used)
6. Select "Send to Color"
7. Grade the native R3d 2K version in color (since it does not support 4K, correct?)
8. Render
9. Return to FCP with new graded sequence and finalize edit
10. Render
Color seems to be very accurate, especially with the Red Room options. -Does color actually access the native R3D?
-Are there any disadvantages to using Color other than it can't export 4K? It seems that simply doing "send to color" instantly accesses the native R3d and no relinking is necessary.
-If I am just creating a DVD, Bluray, or 1080 QT, is it suggested that I render out of Color with those resolution settings or still render the 2K out of color and bring that back into FCP for final render?