Gary Askham
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- Dec 21, 2010
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You seem to be trying to find the cheapest way to do something in an industry which is not cheap.
I think you need both. A Macbook Pro and a Mac Pro. Because you are talking about two separate jobs. An on-set DIT setup is different to an edit suite.
You need the laptop on set for transferring media - the 17" is the popular one to go with because it's the only one with the express card slot.
Then you need a Mac Pro for editing. A laptop (or an imac) is built differently to a Mac Pro. It is built for portability. It isn't designed to be switched on for 15 hours a day working away at processor and drive intensive operations. It hasn't got the same cooling as a Mac Pro. It doesn't have any kind of expandability. I'd say that if you're working on anything close to broadcast work you need at minimum - a recent Mac Pro, a Kona 3, 2x 23" computer displays, a calibrated 23" HD-SDI monitor, a mixer, a pair of speakers and a RAIDed hard drive.
I think you need both. A Macbook Pro and a Mac Pro. Because you are talking about two separate jobs. An on-set DIT setup is different to an edit suite.
You need the laptop on set for transferring media - the 17" is the popular one to go with because it's the only one with the express card slot.
Then you need a Mac Pro for editing. A laptop (or an imac) is built differently to a Mac Pro. It is built for portability. It isn't designed to be switched on for 15 hours a day working away at processor and drive intensive operations. It hasn't got the same cooling as a Mac Pro. It doesn't have any kind of expandability. I'd say that if you're working on anything close to broadcast work you need at minimum - a recent Mac Pro, a Kona 3, 2x 23" computer displays, a calibrated 23" HD-SDI monitor, a mixer, a pair of speakers and a RAIDed hard drive.