Peter Majtan
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Hey guys! Just wanted to share this...
Living here in Japan has its fringe benefits -one of which is easy access to older photographic equipment at extremely reasonable prices - lenses in particular.
You all know how much I love modern Canon EF glass - especially the "L" series. Amazing build and superb optical performance (especially given its cost) are the two main characteristics I adore.
There is however one that is rather cumbersome for cinematography - the electronic iris.
Canon has addressed this with the new generation of cinema glass - the CN-E's - however at around $5~6K per lens (primes) they are not cheap.
There is however another option - the older "pre-EF" lens system - the FD's...
They feature amazing all-metal build quality and also the now-prohibited lead glass (which gives higher contrast). But more importantly - they feature manual iris...
There are however two issues - the iris is mechanically stepped by "clicks" to correspond to various aperture settings. The other is the FD mount itself.
While there are number of adapters allowing the use of FD glass on EF mounts - they all feature additional optical element (unless you want to be limited to macro :reddevil
which introduces loss of both light and IQ...
Enter The Lens Doctor... http://www.thelensdoctor.co.uk
Eddie Houston used to work for Canon during the FD era as Technical Manager repairing and overseeing the run of the photographic department (amongst other things).
He has since retired from Canon and runs the above linked business based in UK specialising in repair and modifications of Canon FD glass.
He has designed and manufactured the first (and as far as I know the only) FD-to-EF conversions of the L-series FD primes (including the extremely difficult 85mm f/1.2L) that clear the mirrors in full-frame EOS bodies - including the newest 5D-mk-III...!
This is no adapter - he actually physically removes the FD mount from the lens and replaces it with precisely machined EF mount that encompasses the internal FD mechanics.
Furthermore - he also has a custom chips that allow the lens to be recognised by Canon EOS bodies as if they were EF lenses in manual mode.
He has also designed and manufactured what he calls "Fluid Variable Aperture" - a modification to the original mechanical iris inside the FD lenses.
It is relatively easy to de-click these irises, but that usually results in loose aperture that can easily move. Eddie added fluid dampening that allows for smooth iris movement, but keeps it locked in the position you leave it at...
After a lot of research and communication with other FD users - I have decided to build a vintage set of FD primes converted to EF mount.
But before going all out I wanted to do a quick test of what Eddie is capable off.
So I went out and found FD 35-105mm f/3.5 zoom in pristine conditions for only $50 USD!!!
According to Eddie...:
I sent the lens to him and £ 193 later (including shipping between UK and Japan) I have just received the converted lens...:
This zoom is really compact - barely larger then standard 1.8" REDMAG, but it weighs in at 600g - this is due its solid metallic construction.
The range this lens covers is IMHO the most versatile for everyday use covering pretty much everything one would need aside of wide angles - but this is easily complemented by its wider cousin - the FDn 20-35 f/3.5L (which is the next one on my list before I get to the primes!).
It features widest aperture of f/3.5 (a bit slower then the f/2.8 of the modern EF zooms), but it holds this aperture through out its entire zoom range.
One very nice thing is that it also features a macro mode. This is only available at the wide 35mm setting and while in the macro mode - the zoom ring actually works as focus, while the actual focus has minuscule effect - allowing a very precise fine-tunning...
The machining quality of Eddie's EF mount is superb...:
I can't wait to go out and properly test this lens, but for now here are two 4K finished frames - one in normal mode and the other in macro mode - both wide open at f/3.5...!
(right-click the links bellow the images and download the linked 4K files)
http://www.derylgroup.com/downloads/CANON/FD_35-105_EF/FD_35-105.jpg
http://www.derylgroup.com/downloads/CANON/FD_35-105_EF/FD_35-105_macro.jpg
Video test to follow soon...
Needless to say - I am extremely happy with Eddie's conversion and highly recommend his services for anyone interested in vintage FD glass...
:sifone: Peter
Living here in Japan has its fringe benefits -one of which is easy access to older photographic equipment at extremely reasonable prices - lenses in particular.
You all know how much I love modern Canon EF glass - especially the "L" series. Amazing build and superb optical performance (especially given its cost) are the two main characteristics I adore.
There is however one that is rather cumbersome for cinematography - the electronic iris.
Canon has addressed this with the new generation of cinema glass - the CN-E's - however at around $5~6K per lens (primes) they are not cheap.
There is however another option - the older "pre-EF" lens system - the FD's...
They feature amazing all-metal build quality and also the now-prohibited lead glass (which gives higher contrast). But more importantly - they feature manual iris...
There are however two issues - the iris is mechanically stepped by "clicks" to correspond to various aperture settings. The other is the FD mount itself.
While there are number of adapters allowing the use of FD glass on EF mounts - they all feature additional optical element (unless you want to be limited to macro :reddevil
Enter The Lens Doctor... http://www.thelensdoctor.co.uk
Eddie Houston used to work for Canon during the FD era as Technical Manager repairing and overseeing the run of the photographic department (amongst other things).
He has since retired from Canon and runs the above linked business based in UK specialising in repair and modifications of Canon FD glass.
He has designed and manufactured the first (and as far as I know the only) FD-to-EF conversions of the L-series FD primes (including the extremely difficult 85mm f/1.2L) that clear the mirrors in full-frame EOS bodies - including the newest 5D-mk-III...!
This is no adapter - he actually physically removes the FD mount from the lens and replaces it with precisely machined EF mount that encompasses the internal FD mechanics.
Furthermore - he also has a custom chips that allow the lens to be recognised by Canon EOS bodies as if they were EF lenses in manual mode.
He has also designed and manufactured what he calls "Fluid Variable Aperture" - a modification to the original mechanical iris inside the FD lenses.
It is relatively easy to de-click these irises, but that usually results in loose aperture that can easily move. Eddie added fluid dampening that allows for smooth iris movement, but keeps it locked in the position you leave it at...
After a lot of research and communication with other FD users - I have decided to build a vintage set of FD primes converted to EF mount.
But before going all out I wanted to do a quick test of what Eddie is capable off.
So I went out and found FD 35-105mm f/3.5 zoom in pristine conditions for only $50 USD!!!
According to Eddie...:
This lens came from a time when Canon were experimenting with aspherical glass. There were 3 lenses that were introduced with aspherical glass this being one of them. The lens on digital is Brutally sharp with inky black colour and contrast.. This lens will not disappoint even the stringent scrutinising photographer.
I sent the lens to him and £ 193 later (including shipping between UK and Japan) I have just received the converted lens...:
This zoom is really compact - barely larger then standard 1.8" REDMAG, but it weighs in at 600g - this is due its solid metallic construction.
The range this lens covers is IMHO the most versatile for everyday use covering pretty much everything one would need aside of wide angles - but this is easily complemented by its wider cousin - the FDn 20-35 f/3.5L (which is the next one on my list before I get to the primes!).
It features widest aperture of f/3.5 (a bit slower then the f/2.8 of the modern EF zooms), but it holds this aperture through out its entire zoom range.
One very nice thing is that it also features a macro mode. This is only available at the wide 35mm setting and while in the macro mode - the zoom ring actually works as focus, while the actual focus has minuscule effect - allowing a very precise fine-tunning...
The machining quality of Eddie's EF mount is superb...:
I can't wait to go out and properly test this lens, but for now here are two 4K finished frames - one in normal mode and the other in macro mode - both wide open at f/3.5...!
(right-click the links bellow the images and download the linked 4K files)
http://www.derylgroup.com/downloads/CANON/FD_35-105_EF/FD_35-105.jpg
http://www.derylgroup.com/downloads/CANON/FD_35-105_EF/FD_35-105_macro.jpg
Video test to follow soon...
Needless to say - I am extremely happy with Eddie's conversion and highly recommend his services for anyone interested in vintage FD glass...
:sifone: Peter