James Jared McNeil
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Hey Guys,
I recently ran into an ASC member who mentioned manufacturing a LUT, calibrated in partnership by a large post-production/color correction studio, specifically designed for the ARRI's sensor to enhance it's performance.
I'm curious if anyone else has heard of using LUTs this way and how someone might reverse engineer a color profile for a sensor... specifically a RED sensor since this is RedUser.
My thought is someone like Phil Holland or Mark Toia may have tried this, and it's on their blog... I haven't found it yet if it exists; if someone would like to point me in the right direction, either by a direct answer or a link to the resource, I'd appreciate it. My preliminary research hasn't yielded much.
Thanks!
-J
I recently ran into an ASC member who mentioned manufacturing a LUT, calibrated in partnership by a large post-production/color correction studio, specifically designed for the ARRI's sensor to enhance it's performance.
I'm curious if anyone else has heard of using LUTs this way and how someone might reverse engineer a color profile for a sensor... specifically a RED sensor since this is RedUser.
My thought is someone like Phil Holland or Mark Toia may have tried this, and it's on their blog... I haven't found it yet if it exists; if someone would like to point me in the right direction, either by a direct answer or a link to the resource, I'd appreciate it. My preliminary research hasn't yielded much.
Thanks!
-J