Welcome to our community

Be a part of something great, join today!

Log in
  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Atlas Lens Co. - Orion Series 2X Anamorphic Prime Lenses

Red Gemini & Atlas Orion Anamorphic Camera Test



By Danny Kim





Directed & Edited by Danny Kim
Cinematography by Wolf Austad
Music by m.0 aka Maurice Jackson

Red Gemini 5K 6:5 sensor mode
Atlas Orion Set B anamorphic lenses

Available for playback in 4K.
Shot on location in Koreatown, Los Angeles, CA.
 
Dan



Atlas Anamorphic lenses are like bacon, everything is better with bacon/atlas anamorphic lenses.
 
Wall's "Andai setiap hari 17an | Director & DOP : Rangga Kusmalendra





By Rangga Kusmalendra






Info about camera and lenses used can be found at the link below.


https://www.instagram.com/p/B1eD8QHAHdI/



Alexa Mini/ Atlas Orion Anamorphic



Client : Walls
Creative & PH : Cerahati
Director & DOP : Rangga Kusmalendra
 
ATLAS ORION Lens Test. Ursa Mini Pro




By jambred







45mm and 65mm. Shot on Ursa mini Pro G1. Shot Braw Q0. Colour graded in Davinci 16. Grain added in post.
 
OK guys, im trying to decide between the 50mm and the 65mm (as I have seen reports that the 40mm is softer).
But I cannot seem to find any comparison between the 50mm and the 65mm. Both work on a full frame camera right? Which one is the sharpest? Size looks about the same to me. Minimum focus distance is also important, can anybody shed a light on this as well?

Thanks a lot!
 
Joe,

Please come visit me in Burbank, I’ll give you a hands on experience.

What camera body and lenses do you want tested ?

I could do a quick toss up maybe later today if 40/50/65 for you for reference.
 
TATUM LYNN - NOW YOU SEE ME NOW YOU DONT





By APAIRUS COMPANY







Info about camera and lenses used can be found at the link below.


https://www.instagram.com/p/B1zIyYkgqpu/


Alexa Mini/ Atlas Anamorphic




Executive Producer Ryan Wyler/BridgeTone
Produced by APAIRUS COMPANY
Directed by Bret Kalmbach and Dan Fusselman
Director of Photography Bret Kalmbach
Edit/VFX Dan Fusselman
SteadiCam Francisco Orozco
Wardrobe Skyler Gardner
Choreographer Benji Schwimmer
Hair & Makeup Jessica Fierro
Jib Op Michael Sly
Lighting Designer & Lighting Director Joel Reiff
Lighting Assistant Designer Elie Knight
G&E Alex Miiller
G&E Dale Cooke
1st AC Ryan Dent
PA Eric Danescu
Video Band Members
Drummer Jake Gillespie
Guitarist Joey Peirgallini
Bassist Skyler Hale
Special Thanks:
Pete Engel // Morpheus Lights
John Garberson // Creative Backstage
Pirate Grip and Electric
 
Paige Lorentzen - RED Gemini + Atlas Anamorphics [4K]




By
Ben Hess








Put together a fun little edit with Paige Lorentzen along side my buddy Sam Fregonese!! I filmed on the RED gemini with mainly the 65mm atlas anamorphic, while he filmed on the Blackmagic Pocket Cinema 6K camera with the 40mm lens! I'll be doing a review soon between the two!
 
Tepki X Esrarengo - Ceza Yatıcaz (Official Video)




By
MOB Entertainment





Info about lens and camera used can be seen at the link below.

https://www.instagram.com/p/B11UJ_vADLh/

Alexa Mini/ Atlas Anamorphic


Tepki feat. Esrarengo - Ceza Yatıcaz tüm dijital platformlarda yayında!

Author: Tepki
Produced By : Uğur Öztürk
Mixed By : Cae$ar, Anıl Hünkar
Recorded By : Cae$ar
Mastering By : Çağlar Türkmen
Publisher: Turkish Music Publishing
Label: M.O.B Entertainment / Associated label of GOVINET

Director : Caner Çetiner
Line Producer: Evrensel Derman
D.O.P : Can Dolu
Edit&VFX: Sevan Bedan
Gaffer: Uğur Karaca
Styling : Neslihan Özyörükoğlu & Leda Karakoç
Hair: Yaşar Simsaroğlu
Make up: Ceren Kuşkapan
Production Manager : Metin Albal
Assistant Production Manager: Muzaffer Saygın
Color Grading : Ercan Küçük
Producer : GOVINET

Tepki Resmi Instagram Hesabı https://instagram.com/tepki
Esrarengo Resmi Instagram Hesabı https://instagram.com/esrarengo


Website: https://www.mob832.com
M.O.B Entertainment YouTube: https://www.youtube.com/c/mob832
M.O.B Entertainment Instagram: https://www.instagram.com/mob.832/
M.O.B Entertainment Facebook: https://www.facebook.com/mob832/
 
Inspire Leadership - TV Spot




By Case Rhome




Info about lens and camera used can be seen at the link below.

https://www.instagram.com/p/B1w3XFbHXt4/



Alexa Mini/ Atlas Orion




Produced: Texas A&M Foundation
Director: Case Rhome
DP: Leighton Jack
Editor: Case Rhome
AD: Anisah Khan
Script: Bailey Payne
 
ATLAS ORION ANAMORPHIC PRIME A SET 40/65/100MM





By DARYA EVGRAFOVA







KINOARENDA LENS TEST
 
BOTTOM END - FASHION MUSIC FILM WITH ALBINA KIREEVA





By collierlandry



https://vimeo.com/356681439



Due to Privacy settings this video will have to be seen on Vimeo




Song: "Bottom End" by Whatsonot
Director: Nicole Alexander
DP: Collier Landry

Filmed on RED with Atlas Lens Orion Anamorphic 40mm, 65mm, 100mm
 
Ben&Ben - Pagtingin | Official Music Video




By Ben&Ben





Info about lens and camera used can be seen at the link below.

https://www.instagram.com/p/B18h1wypZT0/


Ursa Mini Pro/ Atlas Orion


Video by Two Fold Media
Directed by Jorel Lising

Follow Ben&Ben:

Twitter:
twitter.com/benandbenmusic

Facebook:
facebook.com/benandbenmusic

Instagram:
instagram.com/benandbenmusic
 
This link of stills is meant for people who are asking questions such as:

"How do the 40/50/65 look at a T2 vs a T2.8?"
"How does the LF Extender work with the 40/50/65?"
"How do the 40/50/65 cover an LF/Vistavision/36x24mm sensor?"

Hopefully this helps to directly address some of Joe Cage's interests from earlier in the thread.

Clearly this is not an exhaustive effort, and some minor errors were made on the slate - but this is a very quick way to address some immediate concerns. The images are broken into different groups - straight from camera (in this case a Sony A7S) with RAW and JPEG variants, and with and without the LF extender. One could extrapolate how much coverage at 2.66:1, 2.40:1, 2.39:1 etc extracted from the larger imaging area on their own, and these aren't graded - they are direct from the camera... More to come later as I have time...

https://drive.google.com/open?id=1Xs7D8BGDwO5CMrrLCGumupL6lXG93G0S
 
Last edited:
Here's the 40,50 and 65 at f2 and f2.8 with LF Extender with a little color correction added to kind of get rid of that yellowish color cast.


Edit:


Here's a 2.39:1 crop of the original file


Atlas Anamorphic 40mm f2 with LF Extender


Untitled-1-1-1.jpg



Atlas Anamorphic 40mm f2.8 with LF Extender


Untitled-1-2-1.jpg



Atlas Anamorphic 50mm f2 with LF Extender


Untitled-1-3-1.jpg



Atlas Anamorphic 50mm f2.8 with LF Extender


Untitled-1-5-1.jpg




Atlas Anamorphic 65mm f2 with LF Extender


Untitled-1-4-1.jpg



Atlas Anamorphic 65mm f2.8 with LF Extender



Untitled-1-6-1.jpg
 
Last edited:
You must log in or register to reply here.
Back
Top