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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Atlas Lens Co. - Orion Series 2X Anamorphic Prime Lenses

No Canadian Distributor per se, but you are welcome to order through Lorne Lapham in Canada if you wish.

Some Canadian customers order online and then take a vacation to come see us in California and pick up when their set is ready though.
 
Dan Kanes said:
I can post a quick test with the upcoming 1.6X Atlas “Universe” Extender after the 25th this month, I’m travelling right now.

We were planning to announce it during NAB but I’ll give you a little sneak peak.

It works with the 32/40/50/65/80/100 lenses - so we called it “Universe”

They also work with the Duclos Expanders (1.7x and 2X) and the IBE.
Click to expand...

OMG so smart.
 
Todo se paga.




By Juan Pablo Puentes



Concept and direction Milcho.
DP Juan Pablo Puentes
RED helium Atlas Anamorphic lenses, Xeen lenses.
 
Villeroy & Boch Showers 2019




By zeit:raum




Mostly shot on Atlas Orion Anamorphics (RED Gemini) intermixed with CGI product shots and a bit of EOS R lens whacking
 
Does anyone know off hand how the Atlas compare to Lomos in regards to CA?
 
Morgan, Here's two comparisons, Albeit not necessarily about C.A.

Anamorphic test - Round Front Lomo v. Atlas Orion




By Seventy 7 Productions







This is not a test in the way that you'll find charts and exact movements. This is a comparison of two lens sets that we have in house. Our Round Front Lomo Anamorphics and our new Atlas Orion Anamorphics. They are different animals. They have unique qualities in terms of contrast, color, sharpness, breathing, and chromic aberrations, distortion (etc. etc.). They are unique from each other and offer different aesthetic choices.The Atlas Orion have a great modern look at a pretty affordable price point.
This is shot on a Red Monstro at 7k at 250 ISO.


Here's another test



Anamorphic Lens Test




By Owen Hamilton






Arri/Zeiss Master Anamorphics
Lomo Anamorphics
Atlas Orion Anamorphics

Master Anamorphics are a mixed set, some with the standard coated elements, and some with the “flare set” elements installed. This is noted by (std) or (flare).

00:01
Arri/Zeiss Master Anamorphic 28mm T1.9 (std)
Lomo Anamorphic 35mm T2.5

01:53
Arri/Zeiss Master Anamorphic 35mm T1.9 (flare)
Atlas Orion Anamorphic 40mm T2.0

03:40
Arri/Zeiss Master Anamorphic 50mm T1.9 (flare)
Lomo Anamorphic 50mm T2.4

05:30
Arri/Zeiss Master Anamorphic 60mm T1.9 (std)
Atlas Orion Anamorphic 65mm T2.0

07:13
Lomo Anamorphic 75mm T2.4
Arri/Zeiss Master Anamorphic 75mm T1.9 (flare)

09:02
Lomo Anamorphic 100mm T3.4
Atlas Orion Anamorphic 100mm T2.0

10:52
Arri/Zeiss Master Anamorphic 135mm T1.9 (flare)

Equipment provided by AbelCine NY.
 
Last edited:
I could be wrong but most Lomo anamorphics are around T2.5 to T2.8 , Atlas Orion Series are all T2

Not any point of contention at all, just something to consider in terms of performance at a wide open stop or any other given stop ;)
 
Last edited:
Dan,


If you say so, I believe you. I have absolutely no experience with either.
 
Dan Kanes said:
I could be wrong but most Lomo anamorphics are around T2.5 to T2.8 , Atlas Orion Series are all T2

Not any point of contention at all, just something to consider in terms of performance at a wide open stop or any other given stop ;)
Click to expand...

Copy that, Dan!
Just curious.
 
Invent Yourself





By Nick Kova





A short about the repetitions needed to create yourself, in whatever discipline you desire.
Every repetition, every failure, guiding you to find your bounds.
Talent: Mathew Forzaglia
.
Director / DP / Editor: Nick Kova
Music: "No Place on Earth" -- Tony Anderson
VO: Tom O'bedlam
Poem: "No Leaders Please" -- Charles Bukowski
Directors cut, not for commercial use.
Canon C200
Altlas Lens 40mm 2x Anamorphic
 
De’Wayne Jackson “Family Tree”



By Ricardo Campos




Music video for De'Wayne Jackson's single "Family Tree" directed by Joe Mischo and produced by Blk Mtn.

Shot on Alexa Mini and Atlas Orion Anamorphics
 
rand thompson said:
De’Wayne Jackson “Family Tree”



By Ricardo Campos




Music video for De'Wayne Jackson's single "Family Tree" directed by Joe Mischo and produced by Blk Mtn.

Shot on Alexa Mini and Atlas Orion Anamorphics
Click to expand...

Awesome work
 
50YearsGold ‘Farah’ Happy Birthday



By Akın Çetin, GYD



Dir. Ragip Ergun
Dop. Akin Cetin, GYD
Format: Alexa Mini, Atlas Orion, Prores 4444
 
UNIR - Shot Atlas Lens Co. - Orion Anamorphic Lenses




By Harmonica Rental



Prod: Ogilvy
Dir: Carmelo García
DOP: Iñigo Zubicaray
Shot on Arri Alexa Mini & Atlas Lens Co. Orion Anamorphic Lenses provided by Harmonica Rental in Madrid (Spain)
AVAILABLE FOR RENT at movielenses.com / harmonicarental.com
 
I believe this was shot with Atlas Orion Anamorphic lenses.


Paloma Mami - Fingias




By JIMMY FERNANDEZ





Directed by 2001 (@somos2001) Instagram
Productor Ejecutivo - Isabel Arriagada (@isarriagada) Instagram
Produced by - Cinemagica
Director de Fotografía - Miguel Bunster
Director de Arte - Eduardo Jara
Director de Producción - Daniel Garriga
Jefa de Producción - Maria Paz Guzman
Asistente de dirección: Fernanda de la Maza
Productora de Linea - Silvina Coda
Asistente de Producción - Marcelo Arrochas
2do Asistente de dirección – Andrea Castillo
Make up & Hair - Cristian Quitral
Asistente de Maquillaje 1 - Gaila Saa Urra
Asistente de Maquillaje 2 – Julio Olguin
Productor de Moda: Helaman Palavecino
Asistente de Vestuario - Omar Gallardo Páez
Asistente de Vestuario - Evelyn Prieto Castro
Diseño de Vestuario – Matias Hernan
Locacionista - Rodrigo Barril
Researcher - Andrés Piña
Ambientadora - Loreto Godoy
Decorador Club de la unión – Mauricio Herrera (AMA)
Operador Movi / Steadycam - Felipe Lanzarotti
Operador Movi – Miguel Bunster
Grip – Pablo Duque
1er Asistente de Cámara - Francisco Campos
2do. Asistente de Cámara - Piero Leiva
Data Manager / Video Asist - Israel Espinoza
Productor Técnico - Elias Arratia
Jefe Eléctrico - Guillermo Gutierrez
Eléctrico 1 - Juan Vejar
Eléctrico 2 - Sergio Catalan
Visuales e instalaciones lumínicas – Diego Miranda y Sole Aguila
Operador HMI - Jimmy Rodriguez
Sonidista - Alexis Weiss
Asistentes decoración club de la unión: Willi Cabrera Davan , Jorge Cabrera, Davan, Aldimar Blas
Florista Club de la unión – Ana Vitalia Silva
Asistentes decoración: Willi Cabrera Davan , Jorge Cabrera Davan, Aldimar Blas
Runner de Arte - Matias Rueda
Runner de Arte - Victor Muñoz
Escenografo Caja luminosa – Carlos UtrerasFoto fija – Noli Provoste
Asesor Creativo- Nicolas Briceño
Coreografa: Ana Albornoz Pardo
Asistente de Vestuario - Omar Gallardo Páez
Asistente de Vestuario - Evelyn Prieto Castro
Casting – Felipe Ramirez WELOVE
Extras - Andres Dañobeitia
Catering – Alma
Montajista - Marco Rojas
Postproduccion - Kaleido
Postproductor - Carlos Espinoza
Color grading - Tyler Roth / Company 3
Dibujante - Carlos Sepulveda
Foto fija - Hugo Provoste
Asistente Foto Fija 1 - Jose Luis Noli
Asistente Foto Fija 2 - Francisco Finat
Rental - Movie Center
Gráficas - Alvaro Rojas
Making of - Matias Vial
 
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