Alec Morris
Well-known member
I just read the article in the february American Cinematographer on Coraline, and I was fascinated with Henry Selick's views on using 3D creatively. For example, changing the interocular distance to give the 'real world' a flat look, mirroring the lead characters outlook on life. I plan to see it this friday here in los angeles, so I'll wait to pass judgement, but it seems we might be getting past the gimmicky aspect of 3D and on to a valuable creative tool.
any ideas?
any ideas?