Roberto Lequeux
Well-known member
Who drew it? And when?
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Stephen, have you had any luck finding a used Red for $12,000 or less yet?:biggrin:
What I do know is every one of my clients is paying slower than they were 60 days ago. I have been paid by just one client in that time but have been very busy shooting.
Stephen
from scratch![]()
Jim, this all sounds great. But I'm sending a wire today for my Red one.
Should I be waiting ?
Jim, this all sounds great. But I'm sending a wire today for my Red one.
Should I be waiting ?
Is this EPIC? SCARLET? DSMC?
What is this?
How about this for a "wildest speculation":
Red has made a breakthrough in sensor technology - a very, very fast high resolution plenoptic sensor, and a similar breakthrough in compression technology.
(in case you don't know what plenoptic means, read this)
http://www-bcs.mit.edu/people/jyawang/demos/plenoptic/plenoptic.html
The pocket-sized camera is able to shoot 8K plenoptic video at very high frame rates under normal lighting conditions and compress them to a manageable size. The sensor sensitivity, speed and compression efficiency have all been improved by a factor of 100 or so. The footage will be always shot at, say, 2400 frames a second.
What would this mean in practice??
1. Shooting plenoptic means the footage is instantly 3D compatible, with single camera, single lens.
2. A high resolution depth matte can be extracted from the image by computing the differences of the view points. No more greenscreen...
3. The camera's focus point and depth of field characteristics can be determined in post
3b. In the future there will be software that will generate 3D mesh from the footage, even if it's just one frame, as well as extract camera's path as 3D motion, but the rumor is that this may be done by a 3rd party ;-)
4. Shooting at 2400 fps means footage can be conformed to any normal playback frame rate in post.
5. It also means the shutter speed can be determined in post by combining individual frames (i.e. 1/48 at 24 fps would mean combining 50 frames together, then throwing away 50 frames, rinse and repeat).
6. As a side effect, the camera would be a HDR camera - the exposure would be created from 50 combined normal dynamic range frames, which in practice means roughly 6 extra stops of latitude.
7. A "minor" side effect would be awesome slow motion footage (when giving away extra dynamic range etc.), up to 1% speed.
8. Of course creating speed ramps in post is also a non-issue.
9. Due to yet another bunch of breakthroughs in the manufacturing process, this all can be yours for just $999.-
10. It ships in december 2008, available at all grocery stores near you.
...how'd that sound?
Jim, I think Scarlets original specs were amazing so any improvements would amaze me.
That's funny, it's the futuristic sci fi posts like these that bring me back to this thread.