Jonathan Burton
Well-known member
- Joined
- Nov 8, 2008
- Messages
- 49
- Reaction score
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- Location
- Melbourne, Victoria, Australia
- Website
- www.alexandjonofilms.com.au
Hi,
At the end of the month I will be undertaking my first real shoot on Red One as a DP. It is for a video clip set in a warm, underground party style environment. The lighting for this clip is largely justified by practicals which will at this point all be roughly tungsten balanced. I am aware that the R1 is balanced naturally for 5600 so I am wondering if this is going to be an issue?? I don't really want to correct all the practicals back to daylight, some of them i probably can't, such as fairy lights (at least not without a lot of trouble). I also don't want to have to shoot with an 80a and lose 2 stops, mostly because I don't have 2 stops to lose.
Can I just shoot it and do a first light in Red Alert or cine-x to correct it? How will this turn out? Does anyone have any suggestions, they would be much appreciated!!
At the end of the month I will be undertaking my first real shoot on Red One as a DP. It is for a video clip set in a warm, underground party style environment. The lighting for this clip is largely justified by practicals which will at this point all be roughly tungsten balanced. I am aware that the R1 is balanced naturally for 5600 so I am wondering if this is going to be an issue?? I don't really want to correct all the practicals back to daylight, some of them i probably can't, such as fairy lights (at least not without a lot of trouble). I also don't want to have to shoot with an 80a and lose 2 stops, mostly because I don't have 2 stops to lose.
Can I just shoot it and do a first light in Red Alert or cine-x to correct it? How will this turn out? Does anyone have any suggestions, they would be much appreciated!!