Hi all,
A lot has been discussed on these boards about 4K workflow, but I'm interested in hearing from those folks who are working exclusively (or primarily) in 2K since doing so has its own issues.
The main issue I see is that when working in 2K, unlike when you shoot in 4K, your best working proxy is file ("_H") is NOT HD quality. It's 1024 x 576.
So, while you can edit with this, it's going to be offline quality only. Red promises that we'll soon be able to edit with the "_F" (full size) proxy, but until then....
What are you doing to get the footage into FCP at the best resolution possible?
What are you doing to master the footage out of FCP?
Thanks!
A lot has been discussed on these boards about 4K workflow, but I'm interested in hearing from those folks who are working exclusively (or primarily) in 2K since doing so has its own issues.
The main issue I see is that when working in 2K, unlike when you shoot in 4K, your best working proxy is file ("_H") is NOT HD quality. It's 1024 x 576.
So, while you can edit with this, it's going to be offline quality only. Red promises that we'll soon be able to edit with the "_F" (full size) proxy, but until then....
What are you doing to get the footage into FCP at the best resolution possible?
What are you doing to master the footage out of FCP?
Thanks!