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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

23.98 VS 24

What if I'm shooting a film in Australia and have no idea where it will end up (most likely Tv/ web but with hopes of Cinema).. should I shoot 25p? Everyone keeps telling me different things, it's quite annoying
 
What if I'm shooting a film in Australia and have no idea where it will end up (most likely Tv/ web but with hopes of Cinema).. should I shoot 25p? Everyone keeps telling me different things, it's quite annoying
My best advice is to ask your distributor what they prefer. And get those specs in writing.

If it's mainly TV & home video for Australia, you could certainly shoot and finish entirely in 25fps. Be aware that some older theaters cannot handle 25fps DCPs, so you may have to go to the expense to convert to 24fps for a DCP at the end of the project.
 
My best advice is to ask your distributor what they prefer. And get those specs in writing.

If it's mainly TV & home video for Australia, you could certainly shoot and finish entirely in 25fps. Be aware that some older theaters cannot handle 25fps DCPs, so you may have to go to the expense to convert to 24fps for a DCP at the end of the project.

Thanks mate
 
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