Noah Yuan-Vogel
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I have this theory that the somewhat less precise still lenses (compared to ultra primes or master primes), such as good Nikon glass, will be a good match for the laser sharp RED, when it comes to trying to create organic, filmic looking images.
Does your theory account for the fact that you can soften and add artifacts in post but you cant remove artifacts, restore sharpness or fix a lens' mechanical design issues nearly as easily in post? Why would you call RED laser sharp? It actually has quite a strong OLPF for its pixel pitch compared to most competitors and no in-camera sharpening. I hope I'm not contributing to off-topic-ness...