13th responses here...

[Matthew Lochman]

what about the matte boxes?

 

[Dave Draper]

Apologies if I missed it, but are each one of these "brains" capable of shooting at multiple resolutions, like the RED One? If so, what *are* those resolutions?

Which leads me on to my next question...

If each one of these "brains" are capable of recording at multiple resolutions, what are the frame-rate options available if shooting at a lower resolution? For instance, with the RED One, you can only shoot up to 30FPS in 4K, but up to 120FPS in 2K.

M101.

 

[Zaphod]

Because PL lenses won't cover the format.

 

[Nick Wolf]

JJ.

Only a team of Maniac Genius`s bent on ruling the Universe could cook this stuff up...And pull it off!

So let me get this straight..."The future is what you choose it to be and if you can concieve it than it is possible, if you have the will and determination to manifest it than it will be so"??? Something like that..Yes.

I think everyone in this community is very proud today of you guys on the team and grateful for being included in this insane vision!!!

THANK YOU FOR BEING YOU!


DogDay.

 

[Roberto Lequeux]

Hey guys, ANSWER THIS real quick:

For 2k deliverable, what sensor should be able to deliver DNR equal to S35 film?

 

[Eren Ozkural]

I wonder how much that scarlet 3D rig will cost to procure...less than the Red One it seems

 

[Buck Forester]

Jim, What Have you done?! i had enough trouble explaining 4k to others let alone 28k!

If you can explain it to them once, you can explain it to them 7 times.

 

[Shane Betts]

Wife says it's me or the camera.

Wife says it's me or the camera.

For sale, wife and kids. Low use, well cared for by AC and kept in case when not in use.

MAN, I was puzzling how he could possibly live up to the DSMC promise and still give movie makers something more. Has he ever answered that!

I want one, I want them all! I'm totally gobsmacked.

 

[Antonio Junior]

Ok. After sitting speachless in front of my monitor for the past hour and a half or so, an itching question started to take form:

How are we going to comfortably edit (or even just store) 6K or 9K footage?

Bam! Back into speachlessness and mute amazement.

 

[Jonathan Smiles]

Because PL lenses won't cover the format.

Don't mind that, want 16bit AtoD.

Will be like shooting 3K or 2K on RED One.

 

[david farland]

The FF35 EPIC with 13+ stops looks a sweet point for RedOne upgrade.

However it's specs say it takes 'Red mount' lens (not PL mount)..Okay.

Where are the Red mount lens?

D

 

[Gabriel Sanchez]

Just realized it's an entire year before these come out ;[

 

[Michele Gavazzeni]

Who makes ff cine lenses???? Red and???

 

[Christian Edwards]

If you can explain it to them once, you can explain it to them 7 times.

Very Funny Mate ! LOL still laughing

 

[Jon Sagud]

Well, it's 3:30 in the morning and the entire RED staff was involved in this historic evening. Without a doubt this was the most amazing time in the legacy that is RED. Every single person that is involved with this program, from the warehouse to engineering to administrative to the man himself was here and the experience might be the most memorable of my life. There will never be another night like this. RED made history and I am proud to be a part of it. The world has a glimpse of what we have been working so hard to achieve. The man hours, the passion, the desire that made this night a reality, is a product of the hard work of many. This is a milestone in the history of camera development and the team that made it happen might very well be the greatest group of people that I've had the opportunity to work with.

We're all headed home now for a night of rest. We'll be back at it hard in the morning because here is really where we most want to be. Thanks for the support, thanks for being the greatest community ever. RED is going to change the world and tonight marks the beginning.

 

[Geoff Reisner]

This is a VERY smart plan. You will be able to rent all the brains from us.

Offhollywood. WE RENT BRAINS.

I kinda like that !!!

Shall rent some brains from you soon! Rented 'Elvis' not too long ago while in NY, felt like I was shooting with a piece of future cinematic history

 

[Eirik Tyrihjel]

I want something that has a PL mount, a Monstro sensor of 13+ stops, and up to 100fps....

I guess some people are never satesfied....

 

[Nick Shaw]

Can you get a PL mount for the FF35 Epic ?

So we can have 16bit Monstro performance using PL mount lenses.

Indeed. That is a crucial question. I know PL won't cover a FF35 sensor, but I hope it will be possible to use an FF35 Monstro in windowed S35, or even Academy 35 mode with a PL mount lens. The spec as listed would imply not, but I see no reason why it shouldn't be possible.

 

[Tony de Vries]

Awesome stuff! Can we also expect the DSLR-killer today?

 

[dvpixl]

wow, i have to yet to finish reading Jim's posts but man, this was not expected. But an obvious choice.... give us ALL CHOICES!!!

this is insaannneee