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Adobe's success in the professional world highly depends on their ability to work with highend effects, grading and finishing tools like Scratch, Smoke, Quantel, Filmlight, Nucoda, the Foundry etc. All these companies depend on the ease of editorial material going in and out of FCP. Thats why...

http://www.hollywoodreporter.com/news/avid-ceo-weighs-rival-apples-178076

1. RED MONSTRO ; Always thinking ahead is why we love Red 2. RED EPIC, IPAD MULTI CAMERA CONTROLLER' This is really kick-ass 3. RED EPIC-X RELEASE BEFORE FALL (Ted's own mouth) 4. ADOBE PREMIERE PRO CS5.5 AND AE CS5.5 EPIC 5K RMD aAND HDRX WORKFLOW 5. BMD RESOLVE OPEN CPU ACCELERATION FOR R3D...

Will we see a mass exodus of FCP diehards moving to ADOBE and AVID, or will recent converts just switch back to the "AWSOME" FCP-X? Will yesterdays big announcements from BMD Resolve be overwhelmed with Apple Color-x? I'm getting my popcorn ready. The live streaming bandwidth better be good and...

No mention of Red http://www.hollywoodreporter.com/news/new-details-emerge-sony-electronics-176231

Well I guess yoou can read, below link http://www.blackmagic-design.com/products/davinciresolve/models/

Title says it all. http://blogs.adobe.com/premiereprotraining/2011/04/adobe-premiere-pro-cs5-5-whats-new-and-changed.html

There are no details yet, but apparently it will be announced at NAB, Scratch on Mac. Its just a rumor for now.

Not that exciting to me since I'm an Adobe fanboy. No adobe version. "Whatever" But for you FCP bums here goes---:nopity: Sophisticated colour grading functional within Final Cut Pro Same interface and menus as Baselight colourist are familiar with Option to export grades as an XML file for...

http://tv.adobe.com/watch/adobe-technology-sneaks-2011/sneakpreview-of-new-motion-stabilizer-for-after-effects/ I know this has been mentioned before on another thread, I must say this stabilizer combined with the Foundry's 3D tracker, and Roto brush is like having a baby Flame compositing suite

****** FOLKS THIS WAS AN APRIL FOOLS prank ITS NOT FUNNY ANYMORE> PLUS ITS LEADING TO ALL KINDS OF SPECULATION THAT MAY BE DETRIMENTAL TO THE BRANDS AND NAMES INVOLVED. I AM DELETING THE ORIGINAL POST< YOU MAY BE ABLE TO READ IT IN THE QUOTES BELOW*****

Will FCP64bit fill the color grading, audio syncing, editing and pseudo realtime efx gap like Smoke? or will Adobe step up its game fill in those gaps and squash the rebellion? If you have noticed Adobe has not released Redgamma2 redcolor2 even though it was confirmed by our own Dave thats it...

http://www.nvidia.com/object/salt.html Sorry if I keep posting these, but my best friend is Die hard FCP loyalist.

http://www.mpi-inf.mpg.de/resources/MovieReshape/index.html#material watch the video. Now imagine that tool in after effects combined with the roto brush tool

http://www.adobe.com/products/aftereffects/customers/ Adobe please let us tell you what we want in our Production Premium Products.

I was wondering what the future CS6 would look like with a mercury playback assisted AE.

I am happy report, Resolve works exceptionally well with PPro. And even better its a hell of a lot easier to use than Apple color, well after you get around the Avid style User configuration. more to come. I'm loving it.

Colorista 2 has been announced. If the specs tomorrow don't have CUDA or Mercury supported acceleration, forget it, I'll rather save my $200 bucks for $1000 CUDA Davinci Resolve Mac. If it is accelerated it will solve a a whole lot of problems. http://www.redgiantsoftware.com/

The new Rotobrush in AE CS5 is one of the best and most intelligent tools I have seen used. I just cant wait for AE to have the mercury engine support, because a 4 second 2k clip in 32 bit color-space took 4hrs to render. There were a pile of effects applied to the Roto image. And Color finesse...

http://www.youtube.com/watch?v=qPgtGso3FCM