Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)
I still recognize the loop bug with Color 1.5 when the timeline was sent from FCP7. Clipfinder's fix loop bug function didn't work on the project file made with Color 1.5. Maybe we shouldn't pick on too much since we should be using the new FCS installer from RED to use with FCS3 when it's...
As Nick mentioned in other thread that Apple had worked on the gamma handling in FCS3, I tested to find out it works opposite to what it was in FCS2.
Monitoring:
Now if you have native R3D on the Color 1.5 timeline, it's displaying the picture through Matrox MXO or Blackmagicdesign Multibridge...
about Japanese Section/日本セクションについて
皆さんごんばんは伊藤格です。
Jarred Land氏にお願いして日本向けセクション用意していただきました。
レッドフォーラムは本名での参加となっております。ご投稿される場合は、英語名で結構ですので、姓名のどちらかを本名で登録していただきますようお願い申し上げます。
フォーラム上の取り決めは英語表記の取り決めに準じる形で自治しますので、皆さんご協力ください。時間が出来次第基本的な事項は翻訳したいと思います。
ご質問がありましたらお気軽にいただきますようお願い申し上げます。
Very last minute but I'm going to interview Mr. Simon Hayhurst/VP of Adobe Dynamic Media today. Is there anything particular you folks want me to interveiw?
Uniqlo March, a web campaign that was shot with three RED ONEs (RED ONE technical direction by Takashi Chiba/Musetex, R3D grading by Kaku Ito/Musetex) got awarded with bronze at Canne LIONS.
http://work.canneslions.com/cyber/?award=4
http://www.uniqlo.com/march
I received a demo unit of TV Logic XVM-245W today, comparing to our BVM-D24 and I say wow.
http://www.tvlogic.co.kr/eng/products/pro_main.html
The viewing angle has no problem, the dark area reproduction is as good as D24 (our D24 is calibrated by Imagica, the best film lab in Japan).
I'm...
Please, people, come up with the best editing environment name for R3D. Driving me nuts writing articles explaining about it in details every time.
RAW, Metadata, resolution independent, native workflow.... there are many words, but if we can consolidated that all to (close to) one word would...
I came up with new workflow using MXO.
1. Open R3D files with Clipfinder.
2. You can set it so the Loupe window (for the edit look function) display on the MXO desktop, so the Loupe window gets displayed on your video monitor.
3. You can edit the metadata while you see the results on the...
Takashi Chiba/Musetex early adopter of RED ONE shot and eidted/graded Japanese Visual Rock Band "Irokui" for the new song called "Matenro's Ameotoko".
http://www.youtube.com/watch?v=ERYBLl3jDPQ
Directed by Naoyuki Terajima/Naked Free
This is the music clip of "Tokino-sora" (tranlsated:Sky of the time) sang by Emi Tawada.
This clip was shot on RED ONE (from Visceral Psyche), edited offline by the director, Yo Kohatsu, shot by Takeshi Tsuji (DP) and online editing with iQ Pable at Panasonic Visuals (thank you mr. Oyama)...
Canon has posted the update to 5D mkII to be able to adjust the exposure while shooting.
It seems they learn the lesson from RED to give more after they release the camera.
I visited Caldigit site and found this.
http://www.caldigit.com/VR_mini/
The RAID1 and RAID0 choices would provide us flexibility to choose the speed or safety.
And wow, they included the circuit so firewire provides the bus power when eSATA is connected. Gawd.
I'm on post-production of a feature film and finding some shots under the sun, black polyester rain coat looking purple instead of being black. The same raincoat in the shade or in the night scene looks fine, black.
The crew did used ND filter with infrared coating.
What would be the best way...
Musetex is coordinating a workshop at Apple Store Ginza (Tokyo) on June 5th about two very first RED ONE shot feature films, "Highkick Girl!" and "Raise the Castle!".
The directors from both films, Fuyuhiko Nishi from Highkick Girl!, Yo Kohatsu from Raise the Castle!, Takeshi Tsuji (DP from...