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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

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  1. Jon Pais

    RED V-Raptor [X] 8K VV Dynamic Range Analysis Plus

    Alfonso Parra found that at ISO 800, the Alexa 35 has between 14-15 stops of dynamic range, with 9 stops above 18% gray and just over 5 stops below 18%. This is not the total range the sensor can ‘see’, but the usable dynamic range (pretty certain it’s SNR=2). At ISO 800, how many stops above...
  2. Jon Pais

    Resolve 18.6 Color Management / Mac

    No matter what you do, I don’t believe QuickTime, IINA player and IG will ever all look identical to each other or to the Resolve viewer.
  3. Jon Pais

    Resolve 18.6 Color Management / Mac

    What’s happening to the blacks upon export?
  4. Jon Pais

    Blackmagic Design is rumored to announce a new L-mount cinema camera on September 14

    Not sure when the marketing department over at Blackmagic Design decided to use a Sandisk Extreme Pro to illustrate the ability of their new full frame Cinema Camera to record to external disks, but it seems like unfortunate timing, given that Western Digital is facing multiple class-action...
  5. Jon Pais

    Continuing the discussion of why ETTR is bad when shooting HDR

    A recipe for failure? Seriously? Erik Messerschmidt won an Academy Award for Best Cinematography on Mank.The title of the thread is "Why ETTR is bad when shooting HDR"; and reading the article, it doesn't hold up. In fact, the writing is quite poor. For example, he writes, "As you move up into...
  6. Jon Pais

    RED Komodo-X

  7. Jon Pais

    RED KOMODO MONOCHROME TEST

    Phil, I'm not seeing obnoxious banding in the anamorphic video as seen in the spherical monochrome video, but you're comparing a postage stamp sized anamorphic crop with severely reduced bit rate and excessive noise. But for sure, whoever uploaded the video wasn't doing the camera any justice...
  8. Jon Pais

    RED KOMODO MONOCHROME TEST

    The video is of very poor quality. There is obnoxious banding.
  9. Jon Pais

    Komodo 2 coming soon

  10. Jon Pais

    Advice on baseplate

    Who can help me out here? There’s an Arca Swiss plate on my Komodo for the DJI RS3 and Gitzo travel tripod, but every time I switch over to my heavy duty tripod with rods, I’ve got to remove it. What’s the best solution?
  11. Jon Pais

    Resource for HDR Shooters

    I’ve tried to make this the most comprehensive resource for those wanting to shoot and grade HDR for YouTube. https://daejeonchronicles.com/2021/03/02/comprehensive-workflow-sony-a7s-iii-s-log3-hdr-10-in-davinci-resolve-studio-17-part-i/
  12. Jon Pais

    Titanium RF to PL mount with VND

    "Hope everyone is having a great holiday so far and thanks to all the brave ones with Komodos that are banging on the beta build. Btw the beta build turns on support for PL lens /i data, and our new fully supported top and bottom titanium RF to PL mount with /i data is an absolute tank… and I am...
  13. Jon Pais

    Why aren’t more camera sensors optimized for anamorohic?

    The popularity of anamorphic lenses seems to be skyrocketing now that affordable sets from the likes of Atlas, Sirui, Venus Optics and Great Joy are becoming plentiful and receiving excellent reviews. Unfortunately for anamorphic shooters, it would appear that most camera sensors aren't...
  14. Jon Pais

    Which monitor are you all using?

    A couple of SmallRig accessories.
  15. Jon Pais

    Asus ProArt PA32DC OLED Review

    When Dolby conducted a study of viewer preferences for luminance levels of specular highlights and emissive sources to determine the dynamic range needed to display HDR content, it was found that the average preferred maximum luminance for highlight reproduction satisfying 50% of viewers is...
  16. Jon Pais

    CineD Super Impressed with the V-Raptor

  17. Jon Pais

    Output Transform is not available for my Komodo Footage

    I found the solution. Create a new node after the CST (RWG Rec.2020 HDR2084 1,000 nits) and apply the Gamut Limiter from Resolve FX Color. For Current Gamut, select Rec2020, for Current Gamma select ST2084 1,000 nits, then Limit Gamut to P3-D65. From DaVinci Resolve manual: Gamut Limiter...
  18. Jon Pais

    RED Komodo to get Face Detect AF

    It looks like Face Detect AF is on the horizon for the RED Komodo, probably with a firmware update in December. Meanwhile, it’s available through the Red Control App. The free version of the RED Control App now offers Face Detect AF and it works with the RED Komodo. The feature will not work...
  19. Jon Pais

    ACS: HDR Can't Be Ignored

    Not sure what you’re referring to by ‘full range of highs, mids and lows’ [sic] - all RED cameras record HDR without any additional settings or hardware. Three RED cameras were used in the making of The Mission. With 16-bit RedCode RAW, you’re always capturing HDR. As for exposure, I just rely...
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