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@Phil Holland How about HDR deliverables?

I'd prepared a longer response, but I feel physically ill after watching that video sitting 1.5 picture heights from my 65" QD-OLED. All of the footage is of extremely poor quality, much of which looks out of focus. The number of Ks alone has got little to do with perceived sharpness.

I never was able to figure out what the problem was, so I've begun grading in PQ and delivering in Dolby Vision Profile 8.4. which shows up as HLG on platforms like YT that don't support DV.

Nitpicking, but the LG C4 does not cover 97% of P3. If it did, there would not have been a need for QD-OLED.^^ The LG covers around 67% of P3 color volume. It’s frustrating that reviewers continue to rely on the outdated, obsolete 2D CIE chromaticity diagrams.

The noise spectrum graph of the Ursa 12K.

I should add that the number of pixels has little to do with the amount of detail the camera can reproduce, that the OG Ursa 12K performed rather poorly in this regard, and that the RED Raptor and Sony Venice 2 fared much better...

Press release: Cupertino, CA, USA, June 10th, 2024 - Blackmagic Design today announced an end to end workflow for producing cinematic Apple Immersive Video for Apple Vision Pro. Blackmagic URSA Cine Immersive is the world’s first commercial camera system designed to capture Apple Immersive...

Blackmagic Design has teased a new camera called URSA Cine Immersive. This new camera in currently still in development, and it is being designed to capture content for Apple Vision Pro with 8160 x 7200 resolution per eye, 16 stops of dynamic range for 90fps stereoscopic 3D immersive cinema...

gamma bug doesn’t impact HDR. Thanks so much for your help, Rand.

Thanks, Rand.

Thanks Rand, I just tried that. No luck. I've tried RCM, node-based, you name it! These were my most recent settings on the color management page. I used a CST from REDCINE X, REDWideGamutRGB/Log3G10 to Rec.2020 HLG HDR for the node-based color mgmt one. :(

I’ve been mastering Rec.2020 ST2084 of Red Komodo footage in Resolve on my Mac for years but can’t seem to get HLG HDR to work. My exports are a lot brighter than what’s seen in Resolve’s viewer. I’ve tried both RCM and REDCINE X CST LUTs to no avail. Help please!

Panasonic licenses ARRI LogC3 from ARRI for the LUMIX GH7 NEWARK, N.J., June 5, 2024 /PRNewswire/ -- Panasonic is proud to announce a new Software Upgrade Key DMW-SFU3A (sold separately) on the LUMIX GH7. With this upgrade, ARRI LogC3* is enabled, and seamless color matching with ARRI's digital...

Most pictures have no HDR intent whatsoever, so it’s about time they addressed how to master SDR content properly in Dolby Vision.

I’m guessing that the Sony Bravia A95L TV that can be bought with ASBL disabled that was shown at NAB that Nate McFarlin was referring to in the webinar is the commercial version that retails for thousands of dollars more than the already prohibitively priced consumer version.

When looking at the noise spectrum of most cameras, the graph usually rolls off gradually until .5, the result of demosaicing. My understanding is that in-camera denoising causes it to fall even further. Is the fact that at high frequencies, RED cameras aren’t rolling off a sign of in-camera...

“Mono 32 features a vintage vacuum tube processor with an entirely custom-designed architecture running PageOS, SmallHD’s unique operating system.” 😛

The Most Color-Deficient Panel in the World 😝 Mono 32 is the result of SmallHD’s mission to create a grayscale reference monitor that meets the requirements of classic black and white motion picture production and post production. No display company has created a monitor designed specifically...

The quality of the images is very poor, so impossible to draw any conclusions from the video.