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http://www.theverge.com/2013/6/3/4391106/bell-labs-lensless-camera-technology-compressive-sensing

Have a great day, Jarred. (And another 364 after that.)

Updated list of US based labs that still process motion picture film: http://www.filmadvocacy.org/resources/motion-picture-film-labs-usa/

Expected for 2014 release. With IS. Not cheap. http://www.juzaphoto.com/article.php?l=en&t=canon_200-400_hands_on_preview

Are there any tools to unpack a (unencrypted) DCP package? I believe Clipster can do it, but are there any more affordable options?

Does anyone have a manual for Arri's MFF-1 floating around that they could send me a copy of? I couldn't find one online. Trying to figure out how to reverse the gear. Thanks.

So what do you guys/gals hope/expect/fear/wish that RED will present at NAB 2013? My uneducated guesses are: Dragon X - details of the sensor, pricing, upgrade scheme RED 645 - large format sensor camera. Not only Ketch will be happy RedMote Pro - finally Prores module Details of new RED...

Our very own Mr. Groovie.

So far I've usually used royalty free music, but we've come across a piece by a living classical composer, that just fits the mood perfectly. How does one go about clearing the rights of the composer, if we do the actual recording and arrangement ourselves? Are there some standards, or is it...

Have a steadicam with the older, but great in sunlight, SD monitor. Is there a way to get the Scarlet to output a SD signal, rather than 720p/1080p? I know you can get external downconverters, but for that price I might as well upgrade the monitor.

http://www.reuters.com/article/2013/01/27/us-japan-hdtv-idUSBRE90Q02520130127

Partially de-classified tech. http://www.liveleak.com/view?i=e95_1359267780 http://www.liveleak.com/ll_embed?f=4ed99abde7f6

http://www.3dfocus.co.uk/3d-news-2/disney-test-trifocal-camera-to-end-3d-rigs/11660 Disney/Fraunhofer/Arri are testing out a system that uses one main camera to capture the image, and two small cameras that capture depth info, which is then processed by Fraunhofer software to produce 3D images.

Just ran into shotonwhat.com, which lists some nice technical details about a number of films and tv shows.

http://www.engadget.com/2013/01/08/red-camera-interview/

Wishing all my fellow redusers a happy and exciting 2013. Take a little step back and think about some crazy ideas and humble wishes that you would like RED to deliver in the coming year. No framerates on Scarlet, please. I'll just start — a couple of years ago RED gave away a R1 for the best...

Not a complaint, but I had some trouble and wanted to send the log file together with some one-frame R3D files to support. That e-mail bounced back with a note that I should use the contact form on red.com. But that form is for urgent technical help, which I don't need. And it doesn't allow...

This weekend I used some off time to have a look at both Media Composer and Premiere. Must say that from a usability standpoint, I much prefer Premiere. One rather basic thing I have yet to figure out, is how to log R3D files efficiently. Generally it seems that one should not log from within...