Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)
Forgive a laypersons ignorance, but is there a huge advantage to 4x5.65 filters over 4x4? The price difference seem to be substantial.
I'm assuming 4x4 will cover smaller lenses, like cinemodded stills, and I'm guessing CP2s?
What don't they cover?
I own a complete set of Contax primes, so...
I'm sure this has been covered 2000 times, but to be clear. 16mm lenses DO work at 2k without vignetting, correct? I know S16lenses do. But I'm also curious about 16mm.
I'm sure for most applications the Tokina/Duclos 11-16mm is fine at 2k (if you need to go wide), but I'm just curious...
Hey where's a good place to get lenses declicked in NYC? I have about 20 Contax I need to have upgraded.
Also, does anyone have any experience with THESE FOCUS RINGS?
I plan to eventually send everything to Matthew Duclos, but in the meantime I'm looking for some stop gap measures.
thanks!
Hey guys, just wanted to share our most recent shoot with you all: H2 ARMAGEDDON WEEK, with Brian Unger as host.
Shot on TWO RED ONE'S, with Ultra Primes.
Shot by Alex Baev, our longtime DP.
We actually shot 7 pieces in front of a Plexi, 5 man on the streets, two image spots, and 6 other...
For the Scarlet, for a $25k budget what would people prefer? A set of RED PRO PRIMES, or ZEISS SUPERSPEEDS?
We already have a full set of Contax Zeiss glass, with the same coating as the Super Speeds, which is why they are so tempting. With the Super speeds on the A Cam, and Contax on B and C...
Hard to believe, but is this every budget conscious Scarlet owner's dream?
http://www.adorama.com/FPVMBM2.html
Swing away, holds 4x4 and 4x5.65 filters, comes with flags, everything. I'm sure it's an Indian Matte Box rebranded as "Flashpoint" by Adorama, but hey. At least you know where to...
Hey guys, here is another music video we did this year. "Bubbleshaker", by Tarik NuClothes
Reached #3 on MTV.com. The song was featured on the Jersey Shore.
We shot it on the RED ONE MX, with Red Pro Primes. My great friend and collaborator Alex Baev was the DP. Graded in Scratch.
I can...
Hey guys, is anyone else thinking about using Scarlet for 3D? I just read the low budget 3D article in this month's American Cinematographer, and that more safe "French Converged" method used in Pina sounds like a good way to start. Anyone know of some affordable side by side rigs to start...
Hey guys, I'm a long time reader of REDUSER, first time poster. Funny, I've read these posts so often, felt intimidated to join the conversation...till now. I think the announcement of Scarlet has helped me feel like I can belong. My production company Astronaut (which I run with two partners)...