Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)
Totally impressed with this new Nikon mount, auto focus works like a Nikon DSLR, albeit lens is noisier, autofocus works nicely.
What totally surprised me is how the Scarlet-W handles DX lens, specifically the Nikkor 10.5 mm lens, On our Nikon D4, using the DX lens in full frame mode gives...
The RED ED PS, DSMC Power Operation Guide says the camera turns off automatically if the supply voltage drops to 11.5 V. Is it safe to power the brain using a Lemo 1B-6F to male XLR cable such as...
I was considering getting a LATITUDE-MDR-M - RTMotion http://www.rtmotion.com/products/latitude-mdr-m and thumbwheel http://www.rtmotion.com/products/thumbwheel-standard-(s) for focus control on a Movi-Pro. NOW ... there's Bush Pilot !
At $285, this kinda makes it a no-brainer instead of the...
I'm looking to attach a Movi Pro to a Matthews car mount plate (http://products.msegrip.com/collections/car-mount-systems/products/master-mount-system), but would like to find a spring plate system similar to what is on the Freefly remote controlled car.
i.e. two plates with coiled springs...
Looking to purchase a Movi 10, or 15 but don't know if the 10 will work for my needs.
I have a shoot with the following gear:
Scarlet-W 1.6kg
PAG L90 Slim Model 930TV 0.5kg
NIKON AF-S 200-500MM 2.30 kg
DSMC2 V-LOCK I/O EXPANDER 0.454 kg
RED MINI-MAG 0.05 kg
DSMC NIKON MOUNT (BATTLE-TESTED) no...
The Zeiss CP.2 18mm lens is a APS-H lens. So if APS-H "High Definition" is 30.2 × 16.7 mm with aspect ratio 16:9, am I correct in assuming this lens will work on Dragon with it's sensor of 30.7mm x 15.8mm ?
Am I missing something?
Is there going to be slight vignetting on the left and right...
Is anyone working in a pure Prores 4444 workflow yet? i.e. with fast Fibre Channel or SSD raids? Is there any advantage to it, besides already having prores 4444 prepared for davinci and all your colour data available in Final Cut Pro X?