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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Recent content by Andy_Johnson

  1. Andy_Johnson

    Dual handles and neck strap suggestions

    Hello all! I have been searching for a dual handle setup for my Raven, but I only seem to find the single-side handle setups. Ultimately I'm looking at using my minimal setup with dual side handles and a neck strap tied to two 1/4" 20 D-rings on the top of the brain (for that 3 points of...
  2. Andy_Johnson

    Is there a way to stop the RCX auto-render?

    Just curious - is there a way in RCX to stop the auto-render? Maybe that isn't the right term, but when I make a bunch of little adjustments to the curves and (well anything), I don't want RCX to 'render' the rest of the clip until I want to play it. This would reduce CPU/heat usage and wasted...
  3. Andy_Johnson

    Quick tripod mounting question

    Hi all, This is admittedly a very basic question, but what accessories would you recommend mounting a DSMC2 brain to a head with this style QR plate: Obviously the included single 3/8-16 could attach directly to the brain, but that doesn't sound ideal. Thanks!
  4. Andy_Johnson

    "Homecoming" cinematorgraphy styles (Amazon series)

    I'll preface this with I am not quite sure what this series was filmed with, but I loved it. It was visually appealing and the story had great hooks. The thing that stood out most (besides the use of, I believe it was, 4:3) during the flash-forward/present time scenes was the bokeh. In a lot of...
  5. Andy_Johnson

    Color space confusion between FCPX and RCX

    Hi all, I'm having a hard time understanding the difference in Color Space options when using REDCINE-X Pro and FCPX. Let's say, for example, I'm cutting my footage in FCPX in a project that uses Rec. 709. Cool. If I click on a RED clip in the timeline and edit its settings I see it's set to...
  6. Andy_Johnson

    Quick way to transfer Mini-Mag footage to HDD on location

    Hey all! I'm looking for a super simple way to get footage off of my Mini-Mag and onto a hard drive when I'm out shooting. Is there a tool that does this at the touch of a button or am I looking at getting a super cheap 'notebook' that I can plug the Mag reader into and copy that to a USB...
  7. Andy_Johnson

    FCPX gamma shift

    Hello, I'm hoping this is a common thing :) While grading footage in FCPX (editing with R3Ds) I finally get a look that I love. However, on export (as ProRes) and opening up in VLC, the contrast is higher and the saturation is over compensated. I have known about the Quicktime gamma shift for...
  8. Andy_Johnson

    Sidewinder tool substitute

    Hi everyone, Since the sidewinder tool is currently on backorder for the next month or so, I was wondering if you can recommend any substitute tools and/or just common torx/hex sizes that I could just pick up from the hardware store. I really only need it for the DSMC2 handle, REDVOLT XL Module...
  9. Andy_Johnson

    Surf filmmaker Taylor Steele's "Proximity"

    Super pumped for this release. Looks to be shot on 6k Epics. BTS Video/sneak preview: Link: https://www.youtube.com/watch?v=gGL-R9rYOHE
  10. Andy_Johnson

    So, about that frame rate...

    Link for mobile: http://i.imgur.com/iTT1tN5.gif
  11. Andy_Johnson

    Jarred's late night teaser photo

    For all those not on Facebook...
  12. Andy_Johnson

    How often do you rely on lens Image Stabilization (IS)?

    The title pretty much sums up my curiosity (cine style glass aside) - how often do you use lenses with some type of image stabilization?
  13. Andy_Johnson

    Recommended 4k to 1080 downscale method?

    So this is something that I've seen a bunch on, but have never quite wrapped my head around. What's the "recommended" method for down-scaling final video output to 1080 from 4k? I'll use a very basic workflow as an example (only using FCPX in this case) Should I: + Edit footage on a 4k...
  14. Andy_Johnson

    Assistance grading a shot

    I've been really studying and learning how to read all scopes/wavesforms/etc. and more in Color Finale (and previously just the built-in FCPX color adjustments). This is the opening shot in a new video edit and ironically it's the only one where I cannot achieve anything that looks even remotely...
  15. Andy_Johnson

    FCPX - apply LUTs / color to original media or optimized ProRes?

    Hey guys, just like the title says - is it best to apply my LUTs and grading to the original media (GH4 4k h.264 MOVs) or apply to the optimized media (ProRes)? Thanks for the tips!
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