Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)
Hello all!
I have been searching for a dual handle setup for my Raven, but I only seem to find the single-side handle setups. Ultimately I'm looking at using my minimal setup with dual side handles and a neck strap tied to two 1/4" 20 D-rings on the top of the brain (for that 3 points of...
Just curious - is there a way in RCX to stop the auto-render? Maybe that isn't the right term, but when I make a bunch of little adjustments to the curves and (well anything), I don't want RCX to 'render' the rest of the clip until I want to play it. This would reduce CPU/heat usage and wasted...
Hi all,
This is admittedly a very basic question, but what accessories would you recommend mounting a DSMC2 brain to a head with this style QR plate:
Obviously the included single 3/8-16 could attach directly to the brain, but that doesn't sound ideal.
Thanks!
I'll preface this with I am not quite sure what this series was filmed with, but I loved it. It was visually appealing and the story had great hooks.
The thing that stood out most (besides the use of, I believe it was, 4:3) during the flash-forward/present time scenes was the bokeh. In a lot of...
Hi all,
I'm having a hard time understanding the difference in Color Space options when using REDCINE-X Pro and FCPX.
Let's say, for example, I'm cutting my footage in FCPX in a project that uses Rec. 709. Cool.
If I click on a RED clip in the timeline and edit its settings I see it's set to...
Hey all!
I'm looking for a super simple way to get footage off of my Mini-Mag and onto a hard drive when I'm out shooting. Is there a tool that does this at the touch of a button or am I looking at getting a super cheap 'notebook' that I can plug the Mag reader into and copy that to a USB...
Hello,
I'm hoping this is a common thing :)
While grading footage in FCPX (editing with R3Ds) I finally get a look that I love. However, on export (as ProRes) and opening up in VLC, the contrast is higher and the saturation is over compensated. I have known about the Quicktime gamma shift for...
Hi everyone,
Since the sidewinder tool is currently on backorder for the next month or so, I was wondering if you can recommend any substitute tools and/or just common torx/hex sizes that I could just pick up from the hardware store. I really only need it for the DSMC2 handle, REDVOLT XL Module...
So this is something that I've seen a bunch on, but have never quite wrapped my head around.
What's the "recommended" method for down-scaling final video output to 1080 from 4k?
I'll use a very basic workflow as an example (only using FCPX in this case)
Should I:
+ Edit footage on a 4k...
I've been really studying and learning how to read all scopes/wavesforms/etc. and more in Color Finale (and previously just the built-in FCPX color adjustments). This is the opening shot in a new video edit and ironically it's the only one where I cannot achieve anything that looks even remotely...
Hey guys, just like the title says - is it best to apply my LUTs and grading to the original media (GH4 4k h.264 MOVs) or apply to the optimized media (ProRes)?
Thanks for the tips!