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Brook... nothing personal. I did the same thing to someone else on the ISO, ISO thread.
It looks like we do pretty well now against the competition at high ISO. Our true advantages go beyond that... we hope. Our goal was to take High ISO out of the discussion so other things could be focused on... like RAW, high frame rate RAW, etc.
Jim
The M-X upgrades to RED ONE will begin before we ship any EPICs or Scarlets.
Jim
ISO 16,000 - now we are really talking. What are you going to use for that? a single christmas tree light?
The M-X upgrades to RED ONE will begin before we ship any EPICs or Scarlets.
Jim
This question will come down to personal taste. As of today (and Graeme, Deanan and Rob aren't done yet), I don't see thinking about the NR "sauce" until after ISO 1640-2000 for properly exposed daylight shots. Whatever you choose as your threshold, tungsten will likely need the "sauce" about a stop or so sooner.
Next week I'll do a low light test to ISO 16,000 and see what happens. I've learned my lesson not to use studio lighting for high ISO examples...
Jim
For me it is rare that I need a high ISO (which for me means low light sensitivity) with daylight sources. Most of my night interiors, studio work, and night exteriors are lit with tungsten sources, or a mix. A lot of times I've got existing practicals and fixtures that I'm balancing to and most of the time they are tungsten. If I do use daylight sources on night work I don't correct for them or only correct halfway and almost always there is a mix with tungsten. The practical usage of high ISO for me is low light tungsten situations. I'm looking forward to seeing what MX can do at high ISO under tungsten.
...No bolting stuff to stuff to an adapter to stuff to some velcro to stuff to make a camera package. Like this.