FMG battery
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loooooooooolThis is Jarred...
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loooooooooolThis is Jarred...
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And the rest of the team:
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do not think this new plot will end tonight.. now we are many more than ever to ask it..The whole point of my question is to know my options (with cost) from moving from the R1 to the FF35!!
Pretty simple really...
.
and if people are pissed ..sorry...but that info will HELP you all
(so get off my f**king case!)
D
ps: thanks Jason/Hucker
Wow. Yesterday's discussion was pretty exciting.
I can't imagine what will be announced today on December 3rd!
wouldn't it be easier (for all) a simple and AFFORDABLE upgrade?..
you got me.. eheheheheIt seems simple and affordable to me. What are you comparing it to?]
Jim
The whole point of my question is to know my options (with cost) from moving from the R1 to the FF35!!
Pretty simple really....
.
and if people are pissed ..sorry...but that info will HELP you all
(so get off my f**king case!)
D
ps: thanks Jason/Hucker
I know some people won't appreciate this, but I for one, am happy to see that Red is actually starting to charge for some of these innovations. Sure it would be great to have the world's greatest camera free-for-life, but how long do you think the world's greatest camera company would stay in business operating as a charity?
I think Red has gone above and beyond to provide an upgrade path for early adopters of their new paradigm for digital cinema. At the same time, I hope they make a ton of money because if they do not, we will all fail and have to go back to the world of Sony and Panasonic.
I think Jim and co understand that a state of the art camera doesn't have to cost $250,000, but I'm encouraged to see that the new releases might include a small amount of profit for Red while at the same time being very affordable for us.
Having said that, I currently have a full shopping cart at Red.com/store. Should I pull the trigger on an upgradeable Red One or wait a while?!?
It has to with how much light is reflected off of an object... the closer the object, the more light it reflects back into the lense (and actually reflects light back in at multiple points.). The more you stop down the iris, the less points of light an object emits flow through the lense.
For example, you have two objects, object A at 2 feet and object B at 8 feet, point A of a object A emits light in multiple directions at one time. A lens captures more then just one of those incoming beams of light from Point A from object A. If you close the iris up, you have less light beams coming in from point A of object A. Thus object B, which is further away only now reflects the equivalent amount of light (since it's further away) as object A because you stoped down the iris.
Basically Object A over powers Object B with the amount of light reflected until you stop down the iris, bring down the brightness of object A; Which brings up the brightness (and therefore focus) of object B.
Basically Object A over powers Object B with the amount of light reflected until you stop down the iris, bring down the brightness of object A; Which brings up the brightness (and therefore focus) of object B.