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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Comming soon...

A take on the frame, captured from the compressed H.264. That even so, there is that much space for color correcting, is amazing.

1434_1189531312.jpg
 
I was able to import this mov into FCP, but I can't monitor out. What setting?
 
Brad - Good to see you here. I've rented from VR a few times. Great group of guys, relaxed "rental" terms and affordable.

Had no idea you guys grabbed up 2 Reds :)

bradvr said:
We had a blast at tonight shooting with Evin, Brook and John in LA. Our Red camera with minimal lighting produced great footage. Stay tuned for some images from the Red. In the meantime enjoy some productions stills from the shoot. BH

Red One (serial no. 15), High speed primes, CF storage, interior, tungsten lighting.
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filmmaker's gang said:
evin, we're waiting for that soft sharpness.. the rest depends on your fantasy..

here's mine.. a red with the best premium accessory pack..

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Hi Filmaker's gang,

I want one of those!:wink:

Stephen
 
Evin,

You should convince the director (You?) to have one of the themes through the music video be constant re-gradings in completly different looks: Harsh, dreamy, heavy grain, nostalgic, washed out, etc. That way you can play with the tremendous elasticity of the footage rather than trying to tie it all one look and not being able to play.

The fun thing about doing music videos is that there are no rules!

Can't wait to see what you come up with!
 
joelnet said:
Yeah - real isn't for music videos anyhow. :-) A quick crack at it.
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Nice work Joel. We're going to have fun coming up with a look for the project. :)
 
The Third Man said:
And now more like this
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I think Evin is going to have a bunch of fun with this footage. Real, surreal, flat or crushed... it's all good in it's own way. Really, any of these images would look fine in a music video. Even your grainy ones. :-P If this band isn't used to being shot in 35mm I bet they'll be blown away.
 
The Third Man said:
What does it mean for you "the overall image quality" in digital or film acquisition?
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Freedom of artifacts I don't like and presence of properties I like. Such as detail, resolution, noise, color gamut, depth of field, motion rendition, contrast rendition. Pick what you want and use the tool that gives it to you.
 
NIce Work Evin and team. I am loven the way the images are coming in without grain being added in post, I have yet to see an example of post grain fx that look natural. I am hoping the image will soften up a bit after you print out to film for theatrical release. (If I was so fortunate to find myself in that scenario!). Anyways keep it up and thanks for sharing.

Evin...is that a Chrosziel matte box rigged there? If so how is it holding up, I am just hoping to recycle my Chrosziel MB that I got for the HVX.

Best
 
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