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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

New pic...

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#6,
Its a type of motorcycle.
If you haven't ridden before it's not the best choice for a first bike.
As my 748SS owner friend says "It does not suffer fools well"
And no, I'm not calling you a fool. lol
 
number6 said:
What's a Ducati? Is that like code for... you know... (a part of a woman's anatomy?)
Click to expand...

At the risk of being bated. The answer is: sort of?

A Ducati is an Italian motorcycle. It's the "Ferrari" of bikes. They lead the racing world in innovation and wins and like Cars and Camera's they look beautiful in RED.

In terms of a brand, Ducati lines up quite nicely with Oakley and RED because they are committed to quality and excellence and style. Some Ducati footage was featured in the latest release of FCP.

http://www.metacafe.com/watch/595306/

RED's 120fps will be useful in capturing images of a DUCATI on the track, but I want to take mine on the road to capture stories.

David
 
battistella said:
At the risk of being bated. The answer is: sort of?

A Ducati is an Italian motorcycle. It's the "Ferrari" of bikes. They lead the racing world in innovation and wins and like Cars and Camera's they look beautiful in RED.

In terms of a brand, Ducati lines up quite nicely with Oakley and RED because they are committed to quality and excellence and style. Some Ducati footage was featured in the latest release of FCP.

http://www.metacafe.com/watch/595306/

RED's 120fps will be useful in capturing images of a DUCATI on the track, but I want to take mine on the road to capture stories.

David
Click to expand...

David, was hoping you would reply with "it's better than that part of a woman's anatomy, whereas as I would have replied with "Wow" ... but it's hard to do a Martin and Lewis when we haven't had a rehearsal. Great looking bike and no disrespect intended toward you or your bike. Just a failed attempt to inject some levity into a very serial subject, i.e. RED. (OBTW, speaking of serial, does anyone know if the eSATA port will be 1x, that is, one lane, or any number between one and the upper limit of 16 lanes?)
 
artbeatsart said:
Thats all I wanted... and what I want in the hopefully near future. Question: no EVF used?
Click to expand...

That's interesting after all EVF vs. LCD discussion here.

Is this photo mean that LCD is a better solution???

Or is it just about an aesthetic of the photo???

I already ordered Blackmagic HDLink Pro for the 2K monitoring in a field or studio.

This gonna impress my customers to watch 2K immediately on a field and 2K is stilll reality of any DI or POST VFX work today.

4K monitoring and postproduction is still 4-5 years in a front of all us (INDIES).

Just to be a real one.

Do I need this fancy LCD???

I prefer EVF classic image control if we already don't have head mount display that I was demanded and was my big desire.

If LCD would be an iPhone device (or iPhone itself) with an interactive control of the cam and image that would be just PERFECT.
 
number6 said:
David, was hoping you would reply with "it's better than that part of a woman's anatomy, whereas as I would have replied with "Wow" ... but it's hard to do a Martin and Lewis when we haven't had a rehearsal. Great looking bike and no disrespect intended toward you or your bike.
Click to expand...

None taken. I know that this is all about fun!


David
 
I'll get the EVF and the LCD and use either and both daily, depending on the workflow and genres I'm shooting.
 
Jim,Thanks for posting it.
Could you share, if possible; any tecnical data of how they are shooting? Any certain T-Stop? RED RAW CODE? and what post workflow they follow?
Thanks once again.
Miguel
 
Gibby said:
I'll get the EVF and the LCD and use either and both daily, depending on the workflow and genres I'm shooting.
Click to expand...


Gibby you are right, that is the way to go.
 
I was actually just "fishing" to see if the EVF was field beta-ready and in use right now - I am assuming it is - I'm just curious, as it was NOT ready for field testing when they shot the PJ short ...
 
Gibby said:
I'll get the EVF and the LCD and use either and both daily, depending on the workflow and genres I'm shooting.
Click to expand...

Gibby,

This seems to make the most sense. In many situations it might be simpler to go with the EVF and in others it will be the LCD. I can see the definite advantages of both.

Sometimes more eyes on the frame is better than fewer. I think if it was one or the other I might go for the LCD at first because there is a severe lack of data on the EVF.

I have heard it is going to be an amazing, high rez machine, but there is not much other than the picture and price posted on the website and I wonder what the cost/performance benefits are to the EVF?

David
 
So Gibby's and other user tests would tell us during the next 3-4 months after the first shippings what is actually is going on with all those accessories as well. Hope so again.
 
And don't forget that Blackmagic HDLink PRO (web link) can offer 2K monitoring in a field (Apple 30" Cinema Display, etc brands...) that could impress any director to see a native delivery resolution IMMEDIATELY because actually the 2K is a resolution that is maximum for almost 98% productions TO DEAL in post and delivery TODAY (film print or digital projection).

WYGIWYS.

What You Get Is What You Seek.

Not only is used in computing to describe a new interaction paradigm in results-oriented user interface,

could be ALSO used in a brand new digital cinema acquisition and production.
 
Jannard said:
This is a configuration like what is being used on the "Wanted" set.

Jim

9_1183910655.jpg
Click to expand...

Looks great. Any more info from the "Wanted" set would be welcome.
 
Here are some RED Team comments about the EVF and LCD:

“This is the current set up -

EVF Only -

False Color Meter - only in EVF, potential for LCD in future (not a promise)
Overlays the entire image and forces it to monochrome....

EVF and LCD -

Histogram RGB histograms that appear under the main image

Waveform Luma waveform that appears under the main image

Focus “waveform” that appears under the main image

Some or all of these were shown in prototype form at NAB ...”

Stuart
4/26/07
RED User
http://www.reduser.net/forum/showthread.php?t=2014&page=2



“The EVF will be ready when the camera ships.”

Jim Jannard
12/20/06
DVX User RED forum
http://www.dvxuser.com/V6/showthread.php?t=81730&page=5


“The EVF will be ready when the camera ships in 2007.”

Jim Jannard
12/15/06
DVi
http://www.dvinfo.net/conf/showthread.php?t=81848



“Viewfinder - not optical, but many of the same characteristics of an optical - including SurroundView(tm) the ability to see around the outside of the frame recorded, and also being a true HD viewfinder, provides accurate focus.

Video assist. Is HD, has multiple choices for frame guidelines, supports DVI (using a custom LEMO connector), HDMI and HD-SDI. RED's available HD-LCD panel may be ideal for applications where a compact monitor is desired.”

Stuart English
11/21/06
DVi
http://www.dvinfo.net/conf/showthread.php?t=80097



“Yes, it is possible to have the EVF and LCD connected at the same time”

Stuart English
DVi
10/6/06
http://www.dvinfo.net/conf/showthread.php?t=76929



“Perhaps for the first time on a professional camera, the RED-EVF has been designed from the perspective of an integrated monitoring component, rather than a stand alone device. Although it uses a broadcast standard Hirose connector, its has a custom digital interface based around DVI, which allows advanced signal processing in the camera body, and a high level of communications between camera and viewfinder.

The RED-EVF can't be used with other cameras. Its simply the worlds highest performance electronic viewfinder, specific to the RED ONE.”

Stuart English
3/12/07
RED User
http://www.reduser.net/forum/showthread.php?t=900&page=2



“Yes, showing you what's happening outside of the recorded area (just like an optical viewfinder does) is one of the key differences between the RED-EVF and any other electronic viewfnding systems. We call that feature SurroundView. This feature is also supported on the RED-LCD and both the HDMI and HD-SDI based HD Preview outputs.”

Stuart English
3/12/07
RED User
http://www.reduser.net/forum/showthread.php?t=900&page=2



“The RED-EVF and RED-LCD are close cousins. They are driven by a common output from the camera that is expressed on two independent DVI based digital video, power and control interfaces. You could think of them both as viewfinders, one in a tube and one flat. You can use one, or the other, or both at the same time.

The RED-EVF has one or two additional capabilities I can discuss later, but essentially either one of them would be fine for camera operation. Both show Surround View, Histograms, Focus Assist, Frame Guides and Camera menus / status. As an example, if you were shooting underwater or on steadicam the RED-LCD would be the best choice.”

Stuart English
3/13/07
RED User
http://www.reduser.net/forum/showthread.php?t=900&page=4
 
Glad to help...

My guess is that the EVF is in beta testing now. BTW, resolution of the EVF is 1280 x 720, and the LCD is 1024 x 600.
 
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